救赎麦克白夫人

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2023-06-01 DOI:10.3167/cs.2023.350206
Marta Bernabeu
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引用次数: 0

摘要

贾斯汀·库泽尔(Justin Kurzel)的《麦克白》(Macbeth)(2015)反映了宗教互文性,这种互文性渗透在莎士比亚文本背后关于性别的文化辩论中。本文的目的是确定库泽尔的电影文本在多大程度上挑战或符合中世纪和现代早期的性别解释,试图通过阐明基督教和异教徒关于女性、女性气质和(dis)化身的霸权话语来改写和救赎麦克白夫人。在这种背景下,诺里奇神学的朱利安,尤其是她对“神圣母亲”和罪恶的概念,是评估电影对麦克白夫人赎罪的关注的关键,通过对她挥之不去的母亲身份的描述,这是她悲伤和内疚的根源,也是她忏悔和救赎之路。
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Redeeming Lady Macbeth
Justin Kurzel's Macbeth (2015) reflects the religious intertextuality that permeates cultural debates about gender underlying Shakespeare's text. The aim of this article is to determine the extent to which Kurzel's cinematic text challenges or conforms to medieval and early modern gender construals in its attempt to allegedly rewrite and redeem Lady Macbeth by articulating hegemonic Christian and Pagan discourses on womanhood, femininity and (dis)embodiment. In this context, Julian of Norwich's theology, especially her conception of ‘divine motherhood’ and sin, is key to assess the film's concern with atoning Lady Macbeth for her transgressions through its depiction of her haunting motherhood, which is presented as the origin of her grief and guilt as well as her road to penitence and redemption.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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