晶体生长设计方法:珠宝设计中晶体生长的研究

IF 0.3 0 ART Craft Research Pub Date : 2022-09-01 DOI:10.1386/crre_00081_1
S. Boons
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引用次数: 1

摘要

生长的晶体用于一系列新颖的创新,支持技术、医学和电子等广泛的行业。然而,在珠宝行业中,生长的晶体只能以有限的容量使用,而那些具有宝石质量的晶体主要是作为开采宝石的替代品。尽管它们具有潜在的可持续性证书,而且融入水晶生长过程对珠宝设计师来说具有创造性的可能性,但它们在很大程度上仍然没有得到充分利用。宝石级水晶的定制增长可能会带来高度独特的珠宝设计,从而提高消费者的忠诚度。除了这些石头的潜在更可持续的生产外,这将导致整体上更可持续的产品。为了解决阻碍珠宝设计师在实践中探索晶体生长的障碍,并解决支撑这一障碍的知识差距,本文对珠宝晶体生长设计方法进行了基于实践的探索。在回顾少数探索有机晶体生长的珠宝设计师的同时,本文还讨论了基于实践的探索结果。在三个案例研究中测试了从生长设计的特征和优势得出的三个假设,旨在探索当(1)在设计中原位生长或(2)在形状周围生长或(3)将工艺的生长能力用作特征时,该方法为设计师提供的设计机会。由于宝石级晶体的生长需要更精细和高成本的设备,因此对糖、明矾和盐进行了实验,作为使用宝石级晶体进行进一步实验的前奏。通过探索性的DIY方法,作者记录并讨论了将晶体生长方法融入珠宝设计实践所带来的机遇和挑战。这篇研究文章还将反思这些非宝石质量晶体的DIY生长,这对希望更深入了解晶体生长的珠宝设计师来说是一个有意义的学习过程。晶体的DIY生长可以被认为是研究设计思想的一个有价值的修补过程。这一点尤其重要,因为在与晶体种植者合作设计珠宝时,或通过结合宝石晶体生长过程,生长晶体的方法具有创造性潜力,这是作者总体博士研究的主题。
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Crystal Growing Design method: An investigation into the growing of crystals for jewellery designs
Grown crystals are used for a range of novel innovations supporting a wide array of industries such as technology, medicine and electronics. Within the jewellery industry however, grown crystals are only used in a limited capacity and those of gemstone quality mainly as a surrogate for mined gemstones. They have remained largely underused, despite their potential sustainability credentials and the creative possibilities the incorporation of the process of crystal growth holds for jewellery designers. The bespoke growth of gemstone quality crystals could lead to highly unique jewellery designs which would result in higher consumer attachment. This in addition to the potentially more sustainable production of these stones would lead to overall more sustainable products. To address the barriers that are holding jewellery designers back from exploring the growth of crystals in their practice, and to address the knowledge gap that underpins this barrier, this article presents a practice-based exploration into the method of Crystal Growing Design for jewellery. Alongside reviewing a selection of the limited number of jewellery designers who have explored organic crystal growth, the article discusses the results of the practice-based explorations done. Three hypotheses derived from the characteristics and advantages of Growing Design were tested in three case studies and aimed to explore the design opportunities the method provides designers when (1) growing in situ either in designs or (2) around shapes or (3) when utilizing the grow-ability of the process as a feature. Because the growth of gemstone quality crystals requires more elaborate and high-cost equipment, sugar, alum and salt were experimented with as a prelude to further experimentation with the technique using gemstone grade crystals. Through utilizing an explorative Do-It-Yourself (DIY) approach, the author documents and discusses the opportunities and challenges presented by the incorporation of a crystal growth method into the jewellery design practice. The research article will additionally reflect on the DIY growth of these non-gemstone quality crystals as a meaningful learning process for jewellery designers wishing to gain a deeper understanding of crystal growth. The DIY growth of crystals can be considered a valuable tinkering process to investigate design ideas. Which is particularly relevant since the method of growing crystals holds creative potential when designing jewellery in collaboration with crystal growers, or through incorporating gemstone crystal growth processes, which are the topic of the author’s overarching Ph.D. research.
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来源期刊
CiteScore
1.00
自引率
25.00%
发文量
28
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