{"title":"在自然与文化之间:Jakob von uexk<e:1>的Umwelten概念以及摄影如何塑造我们的世界","authors":"J. Froese","doi":"10.1386/pop_00003_1","DOIUrl":null,"url":null,"abstract":"Abstract This article addresses traditional perceptions about photography's position between nature and culture and concomitant schools of thinking focusing pre-dominantly on the photographic image as a form of visual representation. Aiming to develop an alternative perspective\n it considers a biosemiotic approach and turns to Jakob von Uexküll's model of subjective sentient worlds (Umwelt) that critically dissolves the perceived dualism between nature and culture that has also underpinned most theoretical thinking about photography in the past. Today\n photography is largely embedded into social media platforms and their interlinked digital networks, which holds far-reaching consequences for a medium that in this current form can only be fully understood if it is considered as a form of embodied material practice. Aiming to understand some\n of the complex manifestations this technical evolution entails the article further considers the relevance of recent non-representational concepts arising out of cognition theory and cultural geography and uses the 'selfie' as a 'theoretical object'.","PeriodicalId":40690,"journal":{"name":"Philosophy of Photography","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Between nature and culture: Jakob von Uexküll's concept of Umwelten and how photography shapes our worlds\",\"authors\":\"J. Froese\",\"doi\":\"10.1386/pop_00003_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article addresses traditional perceptions about photography's position between nature and culture and concomitant schools of thinking focusing pre-dominantly on the photographic image as a form of visual representation. Aiming to develop an alternative perspective\\n it considers a biosemiotic approach and turns to Jakob von Uexküll's model of subjective sentient worlds (Umwelt) that critically dissolves the perceived dualism between nature and culture that has also underpinned most theoretical thinking about photography in the past. Today\\n photography is largely embedded into social media platforms and their interlinked digital networks, which holds far-reaching consequences for a medium that in this current form can only be fully understood if it is considered as a form of embodied material practice. Aiming to understand some\\n of the complex manifestations this technical evolution entails the article further considers the relevance of recent non-representational concepts arising out of cognition theory and cultural geography and uses the 'selfie' as a 'theoretical object'.\",\"PeriodicalId\":40690,\"journal\":{\"name\":\"Philosophy of Photography\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Philosophy of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/pop_00003_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Philosophy of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/pop_00003_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Between nature and culture: Jakob von Uexküll's concept of Umwelten and how photography shapes our worlds
Abstract This article addresses traditional perceptions about photography's position between nature and culture and concomitant schools of thinking focusing pre-dominantly on the photographic image as a form of visual representation. Aiming to develop an alternative perspective
it considers a biosemiotic approach and turns to Jakob von Uexküll's model of subjective sentient worlds (Umwelt) that critically dissolves the perceived dualism between nature and culture that has also underpinned most theoretical thinking about photography in the past. Today
photography is largely embedded into social media platforms and their interlinked digital networks, which holds far-reaching consequences for a medium that in this current form can only be fully understood if it is considered as a form of embodied material practice. Aiming to understand some
of the complex manifestations this technical evolution entails the article further considers the relevance of recent non-representational concepts arising out of cognition theory and cultural geography and uses the 'selfie' as a 'theoretical object'.