音乐教育中的广播:印第安纳州天空音乐学院,1947-1948

Morganne Aaberg
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引用次数: 0

摘要

在这项研究中,我检查了与1947–1948学年印第安纳天空学校开学季播放的音乐课程有关的档案材料。《印第安纳天空学校》是一个旨在公立学校使用的教育广播节目,由印第安纳大学的学生和教授与州教育部合作制作。本研究的目的是阐明1947年至1948年印第安纳天空学院音乐项目成立季的细节,如人员、曲目、教学策略和项目结构。多萝西·G·凯利(Dorothy G.Kelley)尤其感兴趣,她在印第安纳天空音乐学院(Indiana School Of the Sky)的第一季担任音乐剧集的主管,也是第一位加入印第安纳大学音乐教育系的女性。第二个目的是通过印第安纳天空学校的镜头来审视20世纪40年代末教育和技术的交叉点,并为当代音乐教育工作者提供反思他们如何在课堂上使用当前技术的机会。研究发现,该课程采用了三种主要的教学策略:唱歌、呼叫和应答以及听力。印第安纳大学音乐和音乐教育专业的学生与凯利一起在许多音乐节目中表演,1948-1949学年播出的34%的作品由美国作曲家的音乐或源自美国的民间音乐组成。其他以作曲家或民间传统为代表的国家包括澳大利亚、奥地利、捷克斯洛伐克、英国、芬兰、法国、德国、意大利、挪威、墨西哥、俄罗斯和西班牙。
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Radio in Music Education: The Indiana School of the Sky Music Episodes, 1947–1948
In this study I examined archival material relating to music lessons that aired on the Indiana School of the Sky during its inaugural season in the 1947–1948 school year. The Indiana School of the Sky was an educational radio program intended for use in the public schools and produced by Indiana University students and professors, in partnership with the State Department of Education. The purpose of this study was to illuminate details of the Indiana School of the Sky music program during its inaugural season in 1947–1948, such as the staff, repertoire, teaching strategies, and program structure. Of particular interest was Dorothy G. Kelley, who served as supervisor of the Indiana School of the Sky music episodes during its inaugural season, and was the first female to join the faculty of the Music Education Department at Indiana University. A secondary purpose was to examine the intersection of education and technology in the late 1940s through the lens of the Indiana School of the Sky and to afford contemporary music educators the opportunity to reflect on how they use current technologies in their classrooms. This study found that the program employed three main teaching strategies: singalong, call and response, and listening. Indiana University music and music education students performed in many music episodes alongside Kelley, and 34% of compositions that aired during the 1948–1949 school year comprised of music by composers from the United States, or folk music originating in the United States. Other countries represented by either composer or folk tradition included Australia, Austria, Czechoslovakia, England, Finland, France, Germany, Italy, Norway, Mexico, Russia, and Spain.
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