波兰人在所谓的收复领土上的身份和定居的视觉谈判:Anne Peschken和Marek Pisarsky的《东区故事》

IF 0.5 Q3 SOCIAL SCIENCES, INTERDISCIPLINARY CULTURAL DYNAMICS Pub Date : 2023-04-13 DOI:10.1177/09213740231171522
M. Smolińska
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引用次数: 0

摘要

本文分析了Anne Peschken和Marek Pisarsky(城市艺术)的一系列针孔照片,题为《东区故事I》(Myślibórz)。关于移民和抵达故事的图片研究,2019年正在进行中。主要论点是,这些照片是图像的一个典型例子,在表征层处理迁移主题的同时,也激活了视觉形式本身的过程性和迁移性。为了证实这一观点,《东区故事》项目在以下背景下进行了考察:批判性边界(艺术)研究;H.贝尔廷的图像人类学;记忆研究;重新制定;针孔相机拍摄的图像的模糊性;A.伯利恩对美学的重新思考与审美体现的概念。Peschken和Pisarsky反思了历史、记忆、身份和政治之间的紧张关系,并激活了边境管制的关键潜力,将波德边境的景观转变为一个不合时宜的叙事代理人。因此,《东区故事》系列的照片是记忆的跨代立体图,表明移民是波兰历史上一个关键而不可分割的元素。
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Visual negotiation of identity and settlement of Poles in the so-called Recovered Territories: East Side Story by Anne Peschken and Marek Pisarsky
This text is an analysis of a series of pinhole photographs, by Anne Peschken and Marek Pisarsky (Urban Art), entitled East Side Story I (Myślibórz). Photo research on migration and arrival stories, 2019 on-going. The main thesis is that these photographs are a model example of images which, while addressing the theme of migration in the representational layer, also activate the processual and migratory nature of visual forms themselves. In order to substantiate this thesis, the East Side Story project is examined in the following contexts: critical border (art) studies; H. Belting’s anthropology of the image; memory studies; re-enactment; the blurriness of images made with a pinhole camera; A. Berleant’s re-thinking aesthetics and the notion of aesthetic embodiment. Reflecting on the tension between history, memory, identity and politics and activating the critical potential of borderscaping, Peschken and Pisarsky transform the landscape of the Polish-German borderland into an anachronistic narrative agent. The photographs from the East Side Story series are thus transgenerational corpographies of memory, showing that migration is a key and inalienable element of Polish history.
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CULTURAL DYNAMICS
CULTURAL DYNAMICS SOCIAL SCIENCES, INTERDISCIPLINARY-
CiteScore
0.90
自引率
0.00%
发文量
20
期刊介绍: Our Editorial Collective seeks to publish research - and occasionally other materials such as interviews, documents, literary creations - focused on the structured inequalities of the contemporary world, and the myriad ways people negotiate these conditions. Our approach is adamantly plural, following the basic "intersectional" insight pioneered by third world feminists, whereby multiple axes of inequalities are irreducible to one another and mutually constitutive. Our interest in how people live, work and struggle is broad and inclusive: from the individual to the collective, from the militant and overtly political, to the poetic and quixotic.
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