{"title":"波兰人在所谓的收复领土上的身份和定居的视觉谈判:Anne Peschken和Marek Pisarsky的《东区故事》","authors":"M. Smolińska","doi":"10.1177/09213740231171522","DOIUrl":null,"url":null,"abstract":"This text is an analysis of a series of pinhole photographs, by Anne Peschken and Marek Pisarsky (Urban Art), entitled East Side Story I (Myślibórz). Photo research on migration and arrival stories, 2019 on-going. The main thesis is that these photographs are a model example of images which, while addressing the theme of migration in the representational layer, also activate the processual and migratory nature of visual forms themselves. In order to substantiate this thesis, the East Side Story project is examined in the following contexts: critical border (art) studies; H. Belting’s anthropology of the image; memory studies; re-enactment; the blurriness of images made with a pinhole camera; A. Berleant’s re-thinking aesthetics and the notion of aesthetic embodiment. Reflecting on the tension between history, memory, identity and politics and activating the critical potential of borderscaping, Peschken and Pisarsky transform the landscape of the Polish-German borderland into an anachronistic narrative agent. The photographs from the East Side Story series are thus transgenerational corpographies of memory, showing that migration is a key and inalienable element of Polish history.","PeriodicalId":43944,"journal":{"name":"CULTURAL DYNAMICS","volume":"35 1","pages":"71 - 87"},"PeriodicalIF":0.5000,"publicationDate":"2023-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Visual negotiation of identity and settlement of Poles in the so-called Recovered Territories: East Side Story by Anne Peschken and Marek Pisarsky\",\"authors\":\"M. Smolińska\",\"doi\":\"10.1177/09213740231171522\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This text is an analysis of a series of pinhole photographs, by Anne Peschken and Marek Pisarsky (Urban Art), entitled East Side Story I (Myślibórz). Photo research on migration and arrival stories, 2019 on-going. The main thesis is that these photographs are a model example of images which, while addressing the theme of migration in the representational layer, also activate the processual and migratory nature of visual forms themselves. In order to substantiate this thesis, the East Side Story project is examined in the following contexts: critical border (art) studies; H. Belting’s anthropology of the image; memory studies; re-enactment; the blurriness of images made with a pinhole camera; A. Berleant’s re-thinking aesthetics and the notion of aesthetic embodiment. Reflecting on the tension between history, memory, identity and politics and activating the critical potential of borderscaping, Peschken and Pisarsky transform the landscape of the Polish-German borderland into an anachronistic narrative agent. The photographs from the East Side Story series are thus transgenerational corpographies of memory, showing that migration is a key and inalienable element of Polish history.\",\"PeriodicalId\":43944,\"journal\":{\"name\":\"CULTURAL DYNAMICS\",\"volume\":\"35 1\",\"pages\":\"71 - 87\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-04-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CULTURAL DYNAMICS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/09213740231171522\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"SOCIAL SCIENCES, INTERDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CULTURAL DYNAMICS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/09213740231171522","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
Visual negotiation of identity and settlement of Poles in the so-called Recovered Territories: East Side Story by Anne Peschken and Marek Pisarsky
This text is an analysis of a series of pinhole photographs, by Anne Peschken and Marek Pisarsky (Urban Art), entitled East Side Story I (Myślibórz). Photo research on migration and arrival stories, 2019 on-going. The main thesis is that these photographs are a model example of images which, while addressing the theme of migration in the representational layer, also activate the processual and migratory nature of visual forms themselves. In order to substantiate this thesis, the East Side Story project is examined in the following contexts: critical border (art) studies; H. Belting’s anthropology of the image; memory studies; re-enactment; the blurriness of images made with a pinhole camera; A. Berleant’s re-thinking aesthetics and the notion of aesthetic embodiment. Reflecting on the tension between history, memory, identity and politics and activating the critical potential of borderscaping, Peschken and Pisarsky transform the landscape of the Polish-German borderland into an anachronistic narrative agent. The photographs from the East Side Story series are thus transgenerational corpographies of memory, showing that migration is a key and inalienable element of Polish history.
期刊介绍:
Our Editorial Collective seeks to publish research - and occasionally other materials such as interviews, documents, literary creations - focused on the structured inequalities of the contemporary world, and the myriad ways people negotiate these conditions. Our approach is adamantly plural, following the basic "intersectional" insight pioneered by third world feminists, whereby multiple axes of inequalities are irreducible to one another and mutually constitutive. Our interest in how people live, work and struggle is broad and inclusive: from the individual to the collective, from the militant and overtly political, to the poetic and quixotic.