未书写的美德、自我和文本:早期现代自我擦除

IF 0.4 2区 历史学 0 MEDIEVAL & RENAISSANCE STUDIES JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES Pub Date : 2022-09-01 DOI:10.1215/10829636-9966065
James Simpson
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引用次数: 0

摘要

后来成为自由主义的传统,声称促进了精英统治和个人能动性,在福音派的起源和此后150年的传统中,一直对人类的功绩和对上帝的能动性的主张持敌对态度。这种敌意是从三个话语角度来考虑的:立法、诗歌和牧师。至少在1571年至1660年间,英国政府立法禁止对人类产生的美德的有益价值抱有信心。早期的现代挽歌诗展示了福音派自我的试图消解,以及这种渴望消解的不可避免的双胞胎:话语自信的消解,这种自信必须伴随着,也许还会产生自我消解的欲望。挽歌写作本身就不庄重。然后,文章在文学的背后对田园煽动进行了审视,以粉碎自我和自我对语言的习惯性、能动性理解。
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Unwritten Virtues, Selves, and Texts: Early Modern Self-Erasure
The tradition that became liberalism, which claims to have promoted meritocracy and individual agency, was, in both evangelical origin and in a one-hundred-fifty-year tradition thereafter, unremittingly hostile to the claims of human merit and agency upon God. This hostility is considered from three discursive angles: legislation, poetry, and pastoralia. Between at least 1571 and 1660 the English state legislated against confidence in the salutary value of humanly produced virtue. Early modern elegiac poetry evinces the attempted dissolution of evangelical selfhood and the inevitable twin of that desired dissolution: the unraveling of discursive confidence that must accompany, and perhaps produces, the desire for self-dissolution. Elegiac writing unwrites itself. The article then looks behind the literature to the pastoral incitation to crush both selfhood and the self's habitual, agential understandings of language.
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来源期刊
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES
JOURNAL OF MEDIEVAL AND EARLY MODERN STUDIES MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.70
自引率
0.00%
发文量
27
期刊介绍: The Journal of Medieval and Early Modern Studies publishes articles informed by historical inquiry and alert to issues raised by contemporary theoretical debate. The journal fosters rigorous investigation of historiographical representations of European and western Asian cultural forms from late antiquity to the seventeenth century. Its topics include art, literature, theater, music, philosophy, theology, and history, and it embraces material objects as well as texts; women as well as men; merchants, workers, and audiences as well as patrons; Jews and Muslims as well as Christians.
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