瓦托佩迪奥修道院的“阿拉伯”偷窃:拜占庭晚期伊斯兰物质文化的痕迹

IF 0.7 2区 艺术学 0 ARCHITECTURE Muqarnas Pub Date : 2019-10-02 DOI:10.1163/22118993-00361p05
Nikolaos Vryzidis
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引用次数: 0

摘要

在Vatopediou修道院(Mount Athos)的收藏中,有一件拜占庭晚期的法衣,被僧侣称为“阿拉伯披肩”(arabikon ōmophorion)。这种相当独特的投资可能要归功于两端底部的两个刺绣阿拉伯语铭文。它是为数不多的已知的拜占庭宗教物品之一,以易读的阿拉伯语铭文为特色,是伊斯兰教与标准基督教肖像并列的明显象征。除了将被学者们忽视的中世纪投资置于聚光灯下之外,本文还通过对文本和现存物体的讨论来追溯艺术转移的可能来源。最后,它旨在扩大我们对拜占庭晚期伊斯兰艺术接受的理解,这是一个政治衰落和文化复兴的时代。
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The “Arabic” Stole of Vatopediou Monastery: Traces of Islamic Material Culture in Late Byzantium
In the collection of Vatopediou Monastery (Mount Athos) there is a Late Byzantine vestment called by the monks the “Arabic stole” (arabikon ōmophorion). This quite unique vestment probably owes its name to two bands of embroidered Arabic inscriptions on the lower part of each end. It is one of the very few known Byzantine religious objects to feature legible Arabic inscriptions, a visible symbol of Islamic otherness juxtaposed with the standard Christian iconography. Apart from bringing into the spotlight a medieval vestment that has been overlooked by scholars, this article traces possible sources of artistic transfer through a discussion of texts and extant objects. Finally, it aims at expanding our understanding of the reception of Islamic art in Late Byzantium, a time of both political decline and cultural renewal.
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来源期刊
Muqarnas
Muqarnas Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.30
自引率
25.00%
发文量
13
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