{"title":"塞缪尔·贝克特对约翰·多恩的典故","authors":"Shawn Smith","doi":"10.7560/tsll65102","DOIUrl":null,"url":null,"abstract":"ABSTRACT:Samuel Beckett's allusions to John Donne reflect Beckett's interest in paradox as a mode of thinking that is prone to confusion and failure. The paradoxical tensions between the sacred and the profane in Donne's love poems, in particular, provide Beckett with a framework for shaping his own characters' ambivalent attitudes toward erotic and romantic desire in a way that formulates a critique of the conventions of Petrarchan love poetry and of the theme of love in literature in general.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Samuel Beckett's Allusions to John Donne\",\"authors\":\"Shawn Smith\",\"doi\":\"10.7560/tsll65102\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:Samuel Beckett's allusions to John Donne reflect Beckett's interest in paradox as a mode of thinking that is prone to confusion and failure. The paradoxical tensions between the sacred and the profane in Donne's love poems, in particular, provide Beckett with a framework for shaping his own characters' ambivalent attitudes toward erotic and romantic desire in a way that formulates a critique of the conventions of Petrarchan love poetry and of the theme of love in literature in general.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll65102\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll65102","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"LITERATURE","Score":null,"Total":0}
ABSTRACT:Samuel Beckett's allusions to John Donne reflect Beckett's interest in paradox as a mode of thinking that is prone to confusion and failure. The paradoxical tensions between the sacred and the profane in Donne's love poems, in particular, provide Beckett with a framework for shaping his own characters' ambivalent attitudes toward erotic and romantic desire in a way that formulates a critique of the conventions of Petrarchan love poetry and of the theme of love in literature in general.
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