印度和希腊之间的康斯坦丁诺斯·安尼诺斯

Q3 Arts and Humanities Historein Pub Date : 2022-08-27 DOI:10.12681/historein.18110
K. Ioannidis
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引用次数: 0

摘要

20世纪前25年活跃在希腊和印度的业余摄影师Constantinos Anninos的案例似乎特别有趣,因为他研究了不同媒介中民族志主题表现的理论和实践。阿尼诺斯一直游走于希腊、印度和英国之间,他是一位颇有成就的摄影师,也是一位颇有天赋的希腊民间作家,他在斯科斯的《民族Imerologion》中写下了他的照片。由于他的地位不稳定,他似乎一生都在与外国人的问题作斗争。通过图像和文本,他不仅试图将印度文化和希腊文化翻译给那些由于实际距离或心理和文化障碍而远离他所认为的希腊或印度精髓的人。最后,我认为,出于类似的原因,摄影和大众传媒证明了完成这一文化翻译任务的相关性。要查看全文,请点击“HTML”按钮。
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Constantinos Anninos between India and Greece
The case of the hitherto unnoticed amateur photographer Constantinos Anninos, who was active in Greece and India during the first quarter of the twentieth century, seems particularly interesting for examining the theory and practice of the representation of ethnographic subjects in different media. Always on the move between Greece, India and England, Anninos was an accomplished photographer and a rather gifted writer in Greek demotic who wrote about his photographs in Skokos’ Ethnikon Imerologion. Because of the precariousness of his position, he seems to have struggled with the problem of foreignness all of his life. Through images and texts, he attempts to translate not only the culture of India but that of Greece as well to people who, due to either actual distance or psychological and cultural barriers, are removed from what he perceives as the essence of Greece or India. Finally, I argue that for similar reasons photography and demotic prove pertinent to accomplishing this task of cultural translation. To view the full text, click on the button "HTML".
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来源期刊
Historein
Historein Arts and Humanities-History
CiteScore
0.20
自引率
0.00%
发文量
22
期刊最新文献
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