终极文化中的最新文化。Calabria dei paesi的注释=最外层文化中最外层的文化。卡拉布里亚村庄的笔记

IF 0.2 Q4 COMMUNICATION H-ermes-Journal of Communication Pub Date : 2018-02-19 DOI:10.1285/I22840753N10P185
Alberto Gangemi
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引用次数: 0

摘要

最外层的文化在最外层的文明中。卡拉布里亚乡村笔记卡拉布里亚是欧洲最贫穷的地区之一。由于其历史、大规模移民、地理位置和地质状况,它也成为了一个远离大陆其他地区的内部边界。从二十世纪的最后十年开始,它是来自非洲和中东的移民、难民和流亡者在地中海最重要的登陆地之一。与此同时,卡拉布里亚是一片移民和遗弃的土地。它的大部分村庄都面临着保留贵族身份的风险。本文以切萨雷·帕维斯的小说《Il carcere》为例,以法西斯政权时期卡拉布里亚一个名为Brancaleone的村庄为背景,虚构了陌生人在最外层和封闭的文化中的矛盾角色,重点探讨了移民和居民之间的两种相反的互动模式,这两种模式适用于两个封闭且几乎空无一人的村庄,Rosarno和Riace。
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Culture ultime dentro culture ultime. Note dalla Calabria dei paesi = Outermost cultures inside outermost cultures. Notes from Calabrian villages
Outermost cultures inside outermost cultures. Notes from Calabrian villages Calabria is one of the poorest regions in Europe. Because of its history, marked by a massive emigration, its geographical position and is geological situation, it also became an internal frontier, faraway from the rest of the continent. From the last decade of the XX century it is one of the most important landing place of the Mediterranean sea for migrants, refugees, exiles coming from Africa and Middle East. At the same time Calabria is a land of emigration and abandonment. Most of its villages risk of remaining empity. Using the Cesare Pavese’s novel Il carcere, set in a Calabrian village called Brancaleone during the fascist regime as a fictional example of the contradictory role of the stranger inside an outermost and closed culture, the article focus on two opposite models of interaction between migrants and inhabitants applied in two close and almost empty villages, Rosarno and Riace.
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