{"title":"拥有奴隶制:卡特里娜·布朗访谈录","authors":"Rachel Ama Asaa Engmann","doi":"10.1080/21619441.2018.1527977","DOIUrl":null,"url":null,"abstract":"ABSTRACT The transatlantic slave trade and heritage lie at the center of Katrina Browne’s work as a filmmaker, writer and activist. Her film, Traces of the Trade: A Story from the Deep North (2008), which was received to critical acclaim, depicts the story of her family’s attempt to come to terms with their role in the history and legacies of the transatlantic slave trade and slavery. Since the film, she co-founded the Tracing Center on Histories and Legacies of Slavery, a non-profit organization, and has worked as a public speaker, facilitator and trainer at universities, colleges, schools, museums, historic sites, religious congregations, workplaces and professional conferences, nationally and internationally on “racial equity and healing.” In this interview, Katrina discusses the film, her work since then surrounding the history and legacies of the transatlantic slave trade and slavery, as well as the current controversies in relationship to their role in heritage.","PeriodicalId":37778,"journal":{"name":"Journal of African Diaspora Archaeology and Heritage","volume":"7 1","pages":"207 - 225"},"PeriodicalIF":0.0000,"publicationDate":"2018-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/21619441.2018.1527977","citationCount":"1","resultStr":"{\"title\":\"Owning Slavery: An Interview with Katrina Browne\",\"authors\":\"Rachel Ama Asaa Engmann\",\"doi\":\"10.1080/21619441.2018.1527977\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The transatlantic slave trade and heritage lie at the center of Katrina Browne’s work as a filmmaker, writer and activist. Her film, Traces of the Trade: A Story from the Deep North (2008), which was received to critical acclaim, depicts the story of her family’s attempt to come to terms with their role in the history and legacies of the transatlantic slave trade and slavery. Since the film, she co-founded the Tracing Center on Histories and Legacies of Slavery, a non-profit organization, and has worked as a public speaker, facilitator and trainer at universities, colleges, schools, museums, historic sites, religious congregations, workplaces and professional conferences, nationally and internationally on “racial equity and healing.” In this interview, Katrina discusses the film, her work since then surrounding the history and legacies of the transatlantic slave trade and slavery, as well as the current controversies in relationship to their role in heritage.\",\"PeriodicalId\":37778,\"journal\":{\"name\":\"Journal of African Diaspora Archaeology and Heritage\",\"volume\":\"7 1\",\"pages\":\"207 - 225\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/21619441.2018.1527977\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Diaspora Archaeology and Heritage\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/21619441.2018.1527977\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Diaspora Archaeology and Heritage","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/21619441.2018.1527977","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
ABSTRACT The transatlantic slave trade and heritage lie at the center of Katrina Browne’s work as a filmmaker, writer and activist. Her film, Traces of the Trade: A Story from the Deep North (2008), which was received to critical acclaim, depicts the story of her family’s attempt to come to terms with their role in the history and legacies of the transatlantic slave trade and slavery. Since the film, she co-founded the Tracing Center on Histories and Legacies of Slavery, a non-profit organization, and has worked as a public speaker, facilitator and trainer at universities, colleges, schools, museums, historic sites, religious congregations, workplaces and professional conferences, nationally and internationally on “racial equity and healing.” In this interview, Katrina discusses the film, her work since then surrounding the history and legacies of the transatlantic slave trade and slavery, as well as the current controversies in relationship to their role in heritage.
期刊介绍:
Journal of African Diaspora Archaeology and Heritage provides a focal point for peer-reviewed publications in interdisciplinary studies in archaeology, history, material culture, and heritage dynamics concerning African descendant populations and cultures across the globe. The Journal invites articles on broad topics, including the historical processes of culture, economics, gender, power, and racialization operating within and upon African descendant communities. We seek to engage scholarly, professional, and community perspectives on the social dynamics and historical legacies of African descendant cultures and communities worldwide. The Journal publishes research articles and essays that review developments in these interdisciplinary fields.