摇滚音乐剧和70年代初以色列摇滚乐的开端

IF 0.5 3区 历史学 Q1 HISTORY Journal of Israeli History Pub Date : 2022-07-03 DOI:10.1080/13531042.2022.2210351
Alon Schab, E. Shalev
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引用次数: 0

摘要

摘要:这篇文章揭示了一个无法言喻的故事,讲述了摇滚乐如何登上一个从欧洲和社会主义精神过渡到美国和市场文化的国家的大舞台和国家广播工作室。为了展示摇滚音乐剧是如何在以色列先于、期待和可能促成摇滚音乐的,本文将重点关注20世纪70年代初的五部摇滚音乐剧。我们认为,摇滚音乐剧引入了一个友好的、商业化的摇滚乐版本及其滑稽动作,从而使广大观众能够接受摇滚等外国文化。到20世纪70年代中期这一过程结束时,美国摇滚乐的广泛接受,尤其是一种社会参与的摇滚美学,已经通过被忽视且不太可能的摇滚音乐剧流派而出现。
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The rock musical and the beginnings of rock music in Israel in the early 70s
ABSTRACT This article uncovers an untold story of how rock music came to the big stages and national broadcasting studios of a country transitioning from the European sphere and a socialist ethos to the American sphere and a market-oriented culture. In demonstrating how the rock musical preceded, anticipated, and likely enabled rock music in Israel, this article will focus on five rock musicals from the early 1970s. We argue that the rock musical introduced a friendly and commercially oriented version of rock and rock’n’roll music and its antics, and thus enabled wide crowds to adopt a foreign-born culture such as rock. By the end of that process in the mid-1970s, the broad acceptance of American rock music and particularly a socially involved rock aesthetic had emerged through the overlooked and unlikely genre of the rock musical.
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