{"title":"2020","authors":"S. Molitorisz","doi":"10.24908/ss.v19i4.15170","DOIUrl":null,"url":null,"abstract":"In this imagined future, a jaded and anxious history teacher takes her fourteen-year-old students on a virtual visit back to 2020. Along the way, 1984 keeps surfacing. The references are both explicit and implicit: the protagonist’s name is Win and her off-stage other half is Julia; the first and last lines are a play on Orwell’s oft-cited opening sentence; and Ari is a fan of David Bowie’s 1984-themed Diamond Dogs album. But whereas Orwell (and Bowie) saw a dystopian future devoid of privacy, Win, Ari, and Jay inhabit a world where Orwell’s vision isn’t an imagined future but a nightmarish past. As a result, however, they have to struggle with issues of trust and vulnerability.","PeriodicalId":47078,"journal":{"name":"Surveillance & Society","volume":" ","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2021-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"2020\",\"authors\":\"S. Molitorisz\",\"doi\":\"10.24908/ss.v19i4.15170\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this imagined future, a jaded and anxious history teacher takes her fourteen-year-old students on a virtual visit back to 2020. Along the way, 1984 keeps surfacing. The references are both explicit and implicit: the protagonist’s name is Win and her off-stage other half is Julia; the first and last lines are a play on Orwell’s oft-cited opening sentence; and Ari is a fan of David Bowie’s 1984-themed Diamond Dogs album. But whereas Orwell (and Bowie) saw a dystopian future devoid of privacy, Win, Ari, and Jay inhabit a world where Orwell’s vision isn’t an imagined future but a nightmarish past. As a result, however, they have to struggle with issues of trust and vulnerability.\",\"PeriodicalId\":47078,\"journal\":{\"name\":\"Surveillance & Society\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2021-12-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Surveillance & Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.24908/ss.v19i4.15170\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"SOCIAL SCIENCES, INTERDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Surveillance & Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.24908/ss.v19i4.15170","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
In this imagined future, a jaded and anxious history teacher takes her fourteen-year-old students on a virtual visit back to 2020. Along the way, 1984 keeps surfacing. The references are both explicit and implicit: the protagonist’s name is Win and her off-stage other half is Julia; the first and last lines are a play on Orwell’s oft-cited opening sentence; and Ari is a fan of David Bowie’s 1984-themed Diamond Dogs album. But whereas Orwell (and Bowie) saw a dystopian future devoid of privacy, Win, Ari, and Jay inhabit a world where Orwell’s vision isn’t an imagined future but a nightmarish past. As a result, however, they have to struggle with issues of trust and vulnerability.
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