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Assisted Living 辅助生活
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15128
Kristina M. Sepetys
I wanted to tell a story from the point of view of a data entry worker, someone not typically considered when the advantages and disadvantages of eldercare technologies are being assessed. The worker, remotely located and unknown to the people she watches, offers a perspective that points out some of the strangeness of watching from a distance a living person being injured, struggling, or just needing human care and attention.As we move into more widespread use of eldercare technologies, it’s worth considering how surveillant and robotic technologies to support independent elder living could change our relationships with and sensitivity to older populations.
我想从数据输入工作人员的角度讲述一个故事,当评估老年人护理技术的优缺点时,通常不会考虑这些人。这位工作人员的位置遥远,不为她所观察的人所知,她提供了一个视角,指出了从远处观察一个活着的人受伤、挣扎或只是需要人类照顾和关注的一些奇怪之处。随着老年人护理技术的广泛使用,我们有必要考虑一下,支持老年人独立生活的监控和机器人技术将如何改变我们与老年人的关系和对老年人的敏感度。
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引用次数: 0
Ten-Four Ten-Four
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15120
Janet Chan
This story is an appropriation/erasure of George Orwell’s 1984, remixing some of its original text with concepts from popular fiction and academic literature, including my published work. These concepts include: lateral surveillance; pandemic policing; data capitalism; predictive policing; and posthuman. The story contributes to the diverse, expanding field of cultural production known as “speculative fiction… a mode of thought-experimenting” (Oziewicz 2017). Rather than trying to predict the future, speculative fiction “unsettles the present” with what-if questions that allow us to “develop alternative social imaginaries and open up new perspectives” and “spaces of debate” (Dunne and Raby 2013: chapters 88, 189, 3).
这个故事是对乔治·奥威尔的《1984》的挪用/删除,将其一些原文与流行小说和学术文献中的概念重新混合,包括我出版的作品。这些概念包括:横向监视;疫情警务;数据资本主义;预测警务;和后人类。这个故事有助于文化生产领域的多样性和扩展性,被称为“思辨小说……一种思维实验模式”(Ozewicz 2017)。投机小说不是试图预测未来,而是用假设问题“扰乱现在”,让我们能够“发展替代的社会想象,开辟新的视角”和“辩论空间”(Dunne和Raby,2013:第88、189、3章)。
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引用次数: 0
Future Movement Future – REJECTED 未来运动未来–拒绝
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15126
Bruno Moreschi, Gabriel Pereira
In a not-too-distant future, an anonymous researcher and their team applied for funding to develop their newest invention: a new algorithmic model for smart cameras that would allow people to analyze the movement of cars at a previously unheard-of scale. This system was said to enable new forms of predictive capabilities to emerge: the algorithm would be able to, for example, predict the route drivers wanted to take but had not yet taken—including, for example, their occult inner desires for getting away with a secret lover. A panel of academic reviewers from three different universities audited and reviewed the proposed system. All that is left are segments of the video-report resulting from this meeting, which became an urban legend among technology researchers. The short film “Future Movement Future – REJECTED” is the story of a dystopian surveillance future that was barred by institutional refusal. It importantly reminds us about how total surveillance, the “almighty algorithmic eye,” may end up seeing-predicting much less than imagining-dreaming.
在不久的将来,一位匿名研究人员和他们的团队申请了资金,以开发他们的最新发明:一种新的智能摄像头算法模型,使人们能够以前所未有的规模分析汽车的运动。据说,该系统能够产生新形式的预测能力:例如,该算法将能够预测司机想要走但尚未走的路线,包括他们与秘密情人私奔的神秘内心欲望。来自三所不同大学的学术评审小组对拟议的系统进行了审计和审查。剩下的只是这次会议的视频报告片段,它成为了技术研究人员中的城市传奇。短片《未来运动的未来——被拒绝》讲述了一个反乌托邦的监视未来的故事,这个未来被制度拒绝所阻碍。重要的是,它提醒我们,全面监控,即“全能的算法之眼”,最终看到的预测可能远少于想象中的做梦。
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引用次数: 0
Speculative Fiction, Sociology, and Surveillance Studies: Towards a Methodology of the Surveillance Imaginary 思辨小说、社会学与监视研究:迈向监视想象的方法论
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15039
Jade Hinchliffe
Utopian theorists often speak about the merits of reading utopian fiction in order to reimagine and rebuild a better world, but dystopian fiction is often overlooked. This is, in my view, misguided because dystopian fiction, like utopian fiction, diagnoses issues with the present, inspires activism and resistance, and, in the twenty-first century, often presents ideas of how to effect positive change through collective activism. As speculative literary genres concerned with world-building, utopian and dystopian fiction have inherent sociological concerns. These texts can therefore be utilised by sociologists and other researchers beyond the arts and humanities. Speculative fiction is important to the field of surveillance studies not only because surveillance is a major theme in these literary texts but also because their formal properties provide us with the language, imagery, and feelings associated with being under surveillance. Twenty-first-century utopian and dystopian fiction has not been thoroughly examined by surveillance scholars. Analysis of utopian and dystopian fiction in this field has also focused on texts set in, and written by authors from, the global north. Considering the plethora of dystopian novels in and beyond the global north published in recent years that discuss surveillance, the neglect of the study of these texts to date is an oversight.
乌托邦理论家经常谈论阅读乌托邦小说的好处,以重新想象和重建一个更美好的世界,但反乌托邦小说经常被忽视。在我看来,这是被误导的,因为反乌托邦小说和乌托邦小说一样,诊断当前的问题,激发激进主义和抵抗,并且在21世纪,经常提出如何通过集体激进主义实现积极变革的想法。乌托邦和反乌托邦小说作为关注世界建构的思辨性文学流派,具有内在的社会学关注。因此,社会学家和其他艺术和人文学科以外的研究人员可以利用这些文本。推测小说对监视研究领域很重要,不仅因为监视是这些文学文本中的一个主要主题,还因为它们的形式特征为我们提供了与被监视相关的语言、图像和感受。21世纪的乌托邦和反乌托邦小说并没有被监视学者彻底研究过。该领域对乌托邦和反乌托邦小说的分析也集中在以全球北方为背景并由全球北方作家撰写的文本上。考虑到近年来在全球北方内外出版的大量讨论监视的反乌托邦小说,迄今为止忽视对这些文本的研究是一种疏忽。
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引用次数: 1
How Are You Feeling Today? 你今天感觉怎么样?
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15114
Michael Deerwater, R. Scarff
This piece of creative writing explores the possible impact of emotional artificial intelligence (EAI), a variety of technologies which have the common aim of inferring human emotion from outward expressions such as facial expressions, vocal patterns, text, and physiological data. It is difficult to determine exactly how EAI might affect people when thinking in the abstract. We therefore took a collaborative approach, combining the imagination and writing skills of a Sci-Fi writer, with the knowledge base of an academic studying EAI, in order to create a story which makes the potential consequences of EAI real in a tangible way. Some readers may have prior knowledge of EAI, and for you we hope this piece can offer new insights or different perspectives to consider. However, we suspect many readers will not have heard of EAI and be considering it here for the first time. For you, we hope to provide a story which you can truly immerse yourself in, which can act as a prompt for you to begin to consider your views on this technology. EAI may be at a relatively early stage of development, but we do not anticipate it being long before it is a widespread technology. Our prompt as writers was to create an imagined surveillance future. Our invitation to you as readers is to not only imagine it, but ponder it, live in it, question it, and, ultimately, shape it. 
这篇创造性的文章探讨了情感人工智能(EAI)的可能影响,这是一种多种技术,其共同目的是从面部表情、声音模式、文本和生理数据等外部表情推断人类情感。当抽象思考时,很难确切地确定EAI会如何影响人们。因此,我们采取了一种合作的方法,将科幻作家的想象力和写作技能与研究EAI的学者的知识库相结合,以创造一个故事,使EAI的潜在后果以有形的方式真实存在。一些读者可能已经了解EAI,我们希望这篇文章能为你提供新的见解或不同的视角。然而,我们怀疑许多读者不会听说EAI,而是第一次在这里考虑它。对于您,我们希望提供一个您可以真正沉浸其中的故事,这可以促使您开始考虑您对这项技术的看法。EAI可能处于相对早期的发展阶段,但我们预计它不会成为一项广泛应用的技术。作为作家,我们的动机是创造一个想象中的监视未来。我们邀请读者不仅要想象它,还要思考它,生活在其中,质疑它,并最终塑造它。
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引用次数: 0
Surveillance Stories: Imagining Surveillance Futures 监视故事:想象监视的未来
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15189
Susan Cahill, B. Newell
Editorial introduction to special issue on "Surveillance Stories: Imagining Surveillance Futures."
《监控故事:想象监控未来》特刊编辑简介
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引用次数: 1
Challenging Black Box Technology Power Imbalances by Exposing Them: “Persuasive System” as a Prism for Decomposing Contemporary Surveillance 通过揭露黑箱技术的权力失衡来挑战它们:“说服系统”作为分解当代监视的棱镜
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15117
Philip Di Salvo,Salvatore Vitale
This article contributes to the discussion around surveillance invisibility by engaging with the existing literature and discussing Salvatore Vitale’s “Persuasive System” installation as a case study. Based on the conceptualization of surveillance as a “black box,” the article frames power imbalances involved in biometrics and video surveillance technologies and shows how Vitale’s installation aims at playing with and exposing these dynamics by reconfiguring them.
本文结合现有文献,以Salvatore Vitale的“Persuasive System”装置为例,对监视的隐形性进行了探讨。基于监控作为“黑盒子”的概念,文章框架了涉及生物识别和视频监控技术的权力不平衡,并展示了Vitale的装置如何通过重新配置它们来玩和暴露这些动态。
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引用次数: 0
Flock of Rogue Drones 一群流氓无人机
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15124
H. Koskela, L. Mäkinen, T. Behrndt
This story of Natalija is inspired by Evgeny Zubkov’s artwork titled Russia 2046. The piece depicts an old woman feeding breadcrumbs to drones. We imagine that where the drones are now, there once were birds. What are the relations of these various actors and how can we understand this change? For us, the image of Natalija encapsulates the relationships we as humans can form with non-living creatures, the spaces we share and the practices we engage in. Furthermore, it brings into question the separation lines of post-human and non-human life in an age of learning machines. This story as a whole depicts a future where technologies, in this case self-adapting drones, are introduced into an environment but, as time passes, are left to a state of neglect. In the story, the devices learn to interact with their surroundings, leading to contact and interaction between drones and human. While the story is imaginative, there are several reference points to surveillance research, particularly to questions relating to space/place (how is space under surveillance being produced?), agency (what kind of agency surveillance enables or supports; how is surveillance perceived by the user/target?), and technology (what are the varying contextual roles surveillance techniques are able to take?).
娜塔莉亚的故事灵感来自叶夫根尼·祖布科夫的作品《俄罗斯2046》。这幅画描绘了一位老妇人给无人机喂面包屑。我们想象现在有无人机的地方,曾经有过鸟。这些不同角色之间的关系是什么?我们如何理解这种变化?对我们来说,Natalija的形象概括了我们作为人类可以与非生物建立的关系,我们共享的空间和我们参与的实践。此外,在学习机器时代,它还对后人类和非人类生活的分界线提出了质疑。整个故事描绘了这样一个未来:技术(在这个例子中是自适应无人机)被引入到一个环境中,但随着时间的推移,被置于一种被忽视的状态。在故事中,这些设备学会与周围环境互动,导致无人机与人类之间的接触和互动。虽然这个故事是富有想象力的,但监控研究有几个参考点,特别是与空间/地点(如何产生监控下的空间),机构(什么样的机构监控能够或支持;用户/目标如何感知监视?)和技术(监视技术能够承担哪些不同的上下文角色?)。
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引用次数: 0
Surveillance from the Third Millennium 第三个千年以来的监测
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15121
Y. Au
What will our surveillant futures look like? This piece prods at this nebulous question by taking an exaggerated look at what would happen if we continued down the pathways to a hyper-datafied society that valued optimisation and quickness above all else.
我们的监控未来会是什么样子?这篇文章通过夸张地看待如果我们继续沿着超数据化的道路走向最重视优化和速度的社会,将会发生什么,来刺激这个模糊的问题。
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引用次数: 0
2020 2020
IF 2 Q2 SOCIAL SCIENCES, INTERDISCIPLINARY Pub Date : 2021-12-13 DOI: 10.24908/ss.v19i4.15170
S. Molitorisz
In this imagined future, a jaded and anxious history teacher takes her fourteen-year-old students on a virtual visit back to 2020. Along the way, 1984 keeps surfacing. The references are both explicit and implicit: the protagonist’s name is Win and her off-stage other half is Julia; the first and last lines are a play on Orwell’s oft-cited opening sentence; and Ari is a fan of David Bowie’s 1984-themed Diamond Dogs album. But whereas Orwell (and Bowie) saw a dystopian future devoid of privacy, Win, Ari, and Jay inhabit a world where Orwell’s vision isn’t an imagined future but a nightmarish past. As a result, however, they have to struggle with issues of trust and vulnerability.
在这个想象中的未来,一位疲惫而焦虑的历史老师带着她14岁的学生进行了一次虚拟访问,回到2020年。一路走来,1984不断浮出水面。引用既明确又含蓄:主角的名字叫温,她在台下的另一半叫朱莉娅;第一句和最后一句是奥威尔经常引用的开场白;阿里是大卫·鲍伊1984年主题专辑《钻石狗》的粉丝。但是,尽管奥威尔(和鲍伊)看到了一个没有隐私的反乌托邦未来,温、阿里和周生活在一个奥威尔的愿景不是想象中的未来,而是噩梦般的过去的世界里。然而,结果是,他们不得不与信任和脆弱性问题作斗争。
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引用次数: 0
期刊
Surveillance & Society
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