笑声、狂欢和古埃及的宗教

Q2 Social Sciences European Journal of Humour Research Pub Date : 2021-07-20 DOI:10.7592/EJHR2021.9.2.437
A. Murashko
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引用次数: 0

摘要

文章着重分析了古埃及笑文化与神圣范畴的互动问题。一个人面对的事实是,所讨论的例子往往是不同顺序的现象,并且使用诸如“狂欢节”甚至“宗教”,“寺庙”或“牧师”之类的术语与古埃及有关,需要额外的解释。我们在坟墓的墙上和埃及人进行崇拜的庙宇里发现了“滑稽”的图像。在Ramesside时期(公元前1292-1069年),笑文化以一种米哈伊尔·巴赫金称之为文学狂欢化的方式渗透到书面传统中。不可思议的事件在故事和童话中以滑稽、怪诞的形式被描述,伟大的神被暴露为傻瓜。将巴赫蒂尼范式应用到中古王国和新王国的材料中,可以揭示出古埃及人笑声的矛盾特征:埃及人可以开神的玩笑,同时保持深深的宗教信仰。
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Laughter, carnival and religion in ancient Egypt
The article highlights the problem of interaction of the ancient Egypt laughter culture with the category of sacred. A person is confronted with the fact that the examples in question can often be phenomena of a different order, and the use of terms such as “carnival” or even “religion”, “temple” or “priest” in relation to ancient Egypt requires an additional explanation. We find “funny” images on the walls of tombs and in the temples, where the Egyptians practiced their cult. In the Ramesside period (1292-1069 BC) a huge layer of the culture of laughter penetrated a written tradition in a way that Mikhail Bakhtin called the carnivalization of literature. Incredible events are described in stories and fairy tales in a burlesque, grotesque form, and great gods are exposed as fools. Applying of the Bakhtinian paradigm to the material of the Middle and New Kingdom allows to reveal the ambivalent character of the Ancient Egyptian laughter: the Egyptians could joke on the divine and remain deeply religious.
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来源期刊
European Journal of Humour Research
European Journal of Humour Research Social Sciences-Cultural Studies
CiteScore
1.10
自引率
0.00%
发文量
34
审稿时长
6 weeks
期刊介绍: The European Journal of Humour Research (EJHR) is a peer-reviewed quarterly journal with an international multidisciplinary editorial board. Although geographically-oriented towards the ˋold continentˊ, the European perspective aims at an international readership and contributors. EJHR covers the full range of work being done on all aspects of humour phenomenon. EJHR is designed to respond to the important changes that have affected the study of humour but particular predominance is given to the past events and current developments in Europe.
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