调整沉默:其他学校在今天的潜力

Juciara Guimarães Carvalho, J. Mendes
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摘要

本文旨在对新自由主义学派的领土化提出问题,新自由主义学派越来越多地进入巴西的情况,在时间和空间关系中产生可见性,与其学派实践不可分离,并因流行病背景而加剧。这不可避免地和迫切地意味着要考虑其他学派,它们将这种新自由主义逻辑去地域性化,并加强其他使生活脉动的方式,居住在其他时间和空间中,并构成其他学派的生活形式。与新自由主义的重新领土化过程相反的东西,加剧和加速了生活的不平等。这不是提出一种学校模式的问题,更不是将学校视为电脑屏幕和教师如何成为最新的数字影响者的问题,而是要加强我们在学校工作中的其他安排,特别是在目前。它是关于调整居住在我们身上的沉默,其中一些被主流实践强烈地忽视,并教育身体的注意力,使其意识到由社会隔离引起的令人不安的寂静,可以教会我们一些东西。我们需要慢下来,我们需要走得更慢,认识到流行病的致命,混乱和毁灭性的力量使我们思考生命的价值,学校生活的价值,但也产生了创造性的力量产生了可能性和阻力来谱写其他重要的和弦,还没有在我们的征服中思考和生活。这种音乐家文本的创作分为两个运动:第一,对学校新自由主义造成的实践的问题化;第二,探讨学校与其他学校节奏构成的不稳定潜力。
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Afinando silêncios: potencialidades de escolas outras na atualidade do presente
This text aims to problematize the territorialization of the neoliberal school, which increasingly enters the Brazilian scenario, generating visibility in temporal and spatial relations, not dissociable, from its school practices, intensified by a pandemic context. This inevitably and urgently implies to think of other schools that deterritorialize this neoliberal logic and enhance other ways of making life pulse, inhabit other times and spaces and constitute other school forms of life. Something contrary to neoliberal reterritorialization process that intensifies and accelerates life inequalities. It is not a matter of proposing a school model, still less, considering a school as a computer screen and teachers how the newest digital influencers, but to enhance that other arrangements pulse differently in our work at school, especially in the present. It is about tuning the silences that inhabit us, some of them strongly invisible by the dominant practices, and educating a bodily attention to realize that the disturbing stillness caused by social isolation, can teach us something. We need to slow down, we need to go more slowly, to realize that the deadly, chaotic and devastating force of a pandemic placed us to think about the values ​​of life, of school lives, but also produced inventive force generating possibilities and resistances to compose other chords vital, not yet thought and lived in our subjections. This musician-textual composition was divided into two movements: first, the problematization about the practices that result from school neoliberalism; second, the discussion about the destabilizing potentials in the school with the composition of other school rhythms.
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