An a/r/ graphic msamtisage:将自我故事化为教学实践

Q2 Arts and Humanities Journal of Writing in Creative Practice Pub Date : 2019-04-01 DOI:10.1386/JWCP.12.1-2.109_1
Trish Osler, Isabelle Guillard, Arianna Garcia-Fialdini, S. Côté
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引用次数: 2

摘要

这篇文章追溯了四位艺术教育家的经历,他们通过生活探究来思考“自我作为主题”。以艺术为基础的方法为基础,以四种方式讲述自我,通过编织源自社会文化和历史背景的叙事,既提供了个人视角,也提供了一种成长的方式。叙事作为研究的实践考虑了以下问题:生活写作的呈现/交流成分如何为叙事上色?在生活写作研究中,有哪些常见且潜在的普遍经历?通过四种叙事的合作交流,第五种叙事出现了:为了回应他人的创造性旅程,并记录我们与他们的纠缠,我们打开了空间。本文阐述了内省和外向者如何作为揭示自我的工具与视觉或表演互动,并认为与理论和实践相关的自我成为一种认识方式,拓宽了艺术家/研究人员/教师之间的教育话语。
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An a/r/tographic métissage: Storying the self as pedagogic practice
This article traces the experience of four arts educators as they consider ‘self as subject-matter’ through living inquiry. Anchored in arts-based approaches, storying the self four ways offers both an individual perspective and an a/r/tographic métissage of becoming through the weaving of narratives that derive from sociocultural and historical contexts. The practice of narrative as research considers the following questions: how does the presentation/communication component of life writing colour a narrative? What common and potentially universal experiences occur within life writing research? Through the collaborative exchange of four narratives, a fifth emerges: in response to the creative journey of others, and in documenting our entanglements with them, we open spaces. Illustrating how the introspective and extrospective interact with the visual or performative as a vehicle for revealing the self, this article posits that the self-in-relation to theory and practice becomes a way of knowing that broadens educational discourse among artists/researchers/teachers.
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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