{"title":"余华、苏童小说中法国现实主义的声音","authors":"A. Castelli, Jiang Huiyu 蒋惠聿","doi":"10.31902/fll.36.2021.7","DOIUrl":null,"url":null,"abstract":"Chinese postmodern literature, or post-Mao fiction, comes with disillusionment among the intellectuals and cynicism among the fictional characters. According to this line of thinking, narrative enters a theoretical discourse that leaves aside the former ideological imprint and moves within the frame of realism. As in the experience of the nineteenth century French realism, Su Tong’s and Yu Hua’s fiction describe a process of Bildungsroman that is never accomplished. A crude Darwinian weltanschauung seems to be the key to understanding.","PeriodicalId":40358,"journal":{"name":"Folia Linguistica et Litteraria","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2021-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"THE VOICE OF FRENCH REALISM IN YU HUA’S AND SU TONG’S FICTION\",\"authors\":\"A. Castelli, Jiang Huiyu 蒋惠聿\",\"doi\":\"10.31902/fll.36.2021.7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Chinese postmodern literature, or post-Mao fiction, comes with disillusionment among the intellectuals and cynicism among the fictional characters. According to this line of thinking, narrative enters a theoretical discourse that leaves aside the former ideological imprint and moves within the frame of realism. As in the experience of the nineteenth century French realism, Su Tong’s and Yu Hua’s fiction describe a process of Bildungsroman that is never accomplished. A crude Darwinian weltanschauung seems to be the key to understanding.\",\"PeriodicalId\":40358,\"journal\":{\"name\":\"Folia Linguistica et Litteraria\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Folia Linguistica et Litteraria\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31902/fll.36.2021.7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Folia Linguistica et Litteraria","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31902/fll.36.2021.7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
THE VOICE OF FRENCH REALISM IN YU HUA’S AND SU TONG’S FICTION
Chinese postmodern literature, or post-Mao fiction, comes with disillusionment among the intellectuals and cynicism among the fictional characters. According to this line of thinking, narrative enters a theoretical discourse that leaves aside the former ideological imprint and moves within the frame of realism. As in the experience of the nineteenth century French realism, Su Tong’s and Yu Hua’s fiction describe a process of Bildungsroman that is never accomplished. A crude Darwinian weltanschauung seems to be the key to understanding.
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