最后的罗马国王

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2022-12-01 DOI:10.3167/cs.2022.340405
I. Ward
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引用次数: 0

摘要

这篇文章回顾了莎士比亚后来的一部戏剧,这部戏剧经常被忽视。人们普遍猜测,莎士比亚在1609年或1610年创作了《辛白林》,与《伯里克利》和《冬天的故事》等其他所谓的“问题”戏剧几乎在同一时刻。评论家们很少对《辛白林》充满热情,因为它缺乏一个明显的主角,这部电影在罗马时代的英国和文艺复兴时期的意大利之间令人不安。然而,辛白林对英国的宪法政治有一些重要的看法。国王詹姆斯一世喜欢把自己塑造成“新奥古斯都”。他还喜欢他在阅读“老”奥古斯都时发现的专制主义的王权思想。在创作《辛白林》时,莎士比亚寻求一种微妙的平衡,向这种亲和力致敬,同时也警告不要不加批判地依赖罗马的裁判概念。
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The Last Roman King
This article revisits one of Shakespeare’s later, often rather neglected, plays. Shakespeare is thought to have written Cymbeline in 1609 or 1610, at much the same moment, it is commonly surmised, as other so-called ‘problem’ plays such as Pericles and The Winter’s Tale. Critics have rarely enthused over Cymbeline, lacking an obvious lead character, the action moving unsettlingly between Roman Britain and Renaissance Italy. Cymbeline has, though, something important to say about the constitutional politics of Jacobean England. King James I liked to style himself as the ‘new Augustus’. He also liked the absolutist idea of kingship which he discovered in his reading of the ‘old’ Augustus. In writing Cymbeline, Shakespeare sought a delicate balance, paying homage to the affinity, whilst also cautioning against uncritical reliance on Roman conceptions of magistracy.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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