{"title":"驻黄金时代马德里大使","authors":"J. Escobar","doi":"10.1080/14629712.2023.2227533","DOIUrl":null,"url":null,"abstract":"I n his Idea of a Christian Prince, Represented in One Hundred Emblems, a book originally published in , the political theorist and diplomat Diego Saavedra Fajardo offers a lengthy description of the court as an institution. Focusing on the palace as its representative center, Saavedra equates the court with a musical instrument. The corresponding emblem features a crowned harp set before a flat landscape (fig. ). A Latin inscription reads Maiora minoribvs consonant bespeaking a challenge Saavedra sets forth that a Prince master the instrument so that he can play it well:","PeriodicalId":37034,"journal":{"name":"Court Historian","volume":"28 1","pages":"175 - 179"},"PeriodicalIF":0.0000,"publicationDate":"2023-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ambassadors in Golden-Age Madrid\",\"authors\":\"J. Escobar\",\"doi\":\"10.1080/14629712.2023.2227533\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"I n his Idea of a Christian Prince, Represented in One Hundred Emblems, a book originally published in , the political theorist and diplomat Diego Saavedra Fajardo offers a lengthy description of the court as an institution. Focusing on the palace as its representative center, Saavedra equates the court with a musical instrument. The corresponding emblem features a crowned harp set before a flat landscape (fig. ). A Latin inscription reads Maiora minoribvs consonant bespeaking a challenge Saavedra sets forth that a Prince master the instrument so that he can play it well:\",\"PeriodicalId\":37034,\"journal\":{\"name\":\"Court Historian\",\"volume\":\"28 1\",\"pages\":\"175 - 179\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Court Historian\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14629712.2023.2227533\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Court Historian","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14629712.2023.2227533","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
I n his Idea of a Christian Prince, Represented in One Hundred Emblems, a book originally published in , the political theorist and diplomat Diego Saavedra Fajardo offers a lengthy description of the court as an institution. Focusing on the palace as its representative center, Saavedra equates the court with a musical instrument. The corresponding emblem features a crowned harp set before a flat landscape (fig. ). A Latin inscription reads Maiora minoribvs consonant bespeaking a challenge Saavedra sets forth that a Prince master the instrument so that he can play it well:
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