Cinema Plus:罗伯特·康诺利和活动观众放映

IF 0.4 0 FILM, RADIO, TELEVISION Studies in Australasian Cinema Pub Date : 2017-05-04 DOI:10.1080/17503175.2017.1383523
S. Gaunson
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引用次数: 2

摘要

摘要本文讨论了澳大利亚电影在大发行模式中面临的问题,以及制片人如何重新思考电影的资金和发行方式。为了做到这一点,它使用了Robert Connoll的Cinema Plus展览公司的案例研究。尽管康诺利的自我发行事业有着历史上的优先顺序,但这种重新思考澳大利亚电影如何发行和放映的转变无疑代表了对制作和放映之间复杂关系的不断重新评估,一段时间以来,澳大利亚银幕公司将其分为两个独立的角色。Cinema Plus所代表的是一种认识,即传统的大发行并不总是吸引尽可能广泛观众的最有效方式。
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Cinema Plus: Robert Connolly and Event Audience Screenings
ABSTRACT This article discusses the problems that Australian films face in the big distribution model, and ways thatproducers have rethought how their films are funded and distributed. To do this it uses the case study of Robert Connolly'sCinema Plus exhibition company. Although there is a historical precedence set for Connolly's self-distribution venture, this shiftto rethink how Australian films are being distributed and exhibited is certainly representative of a changing reassessment of theporous relationship between production and exhibition, which for some time Screen Australia demarcated in by two separatepools. What Cinema Plus represents is a recognition that conventional big distribution is not always the most effective way toreach the widest possible audience.
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来源期刊
Studies in Australasian Cinema
Studies in Australasian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
7
期刊最新文献
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