{"title":"后记:见证档案","authors":"Anna Arabindan‐Kesson","doi":"10.1080/14788810.2021.1936405","DOIUrl":null,"url":null,"abstract":"ABSTRACT This afterword uses the work of artist Patricia Kaersenhout and Black feminist scholars to reflect on the implications of working with colonial archives and their forms of erasure.","PeriodicalId":44108,"journal":{"name":"Atlantic Studies-Global Currents","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2021-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Afterword: Witness to the archive\",\"authors\":\"Anna Arabindan‐Kesson\",\"doi\":\"10.1080/14788810.2021.1936405\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This afterword uses the work of artist Patricia Kaersenhout and Black feminist scholars to reflect on the implications of working with colonial archives and their forms of erasure.\",\"PeriodicalId\":44108,\"journal\":{\"name\":\"Atlantic Studies-Global Currents\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-08-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Atlantic Studies-Global Currents\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14788810.2021.1936405\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Atlantic Studies-Global Currents","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14788810.2021.1936405","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
ABSTRACT This afterword uses the work of artist Patricia Kaersenhout and Black feminist scholars to reflect on the implications of working with colonial archives and their forms of erasure.
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