中学课程中的音乐学实践方法

James Vincent Maiello
{"title":"中学课程中的音乐学实践方法","authors":"James Vincent Maiello","doi":"10.6092/ISSN.2039-9715/10180","DOIUrl":null,"url":null,"abstract":"Because aesthetic philosophies, which have long dominated music education, privilege music as an aesthetic object, they minimize aspects of musicology concerned with music as a cultural practice and provide too narrow a view of music itself. This has also minimized the role of musicology in the school music curriculum. First, I argue that musicological praxis is congruent with praxial philosophies of music education and that it is appropriate for inclusion in the secondary music curriculum. Second, I offer a set of criteria and recommendations for applying this philosophy and integrating musicological praxis into that curriculum. Finally, I use two brief examples by way of illustration. I hope this paper outlines at least one path for making musicology a more integral part of curriculum and instruction and that it will provide a broadly applicable philosophical framework.","PeriodicalId":30273,"journal":{"name":"Musica Docta","volume":"9 1","pages":"57-65"},"PeriodicalIF":0.0000,"publicationDate":"2019-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Praxial Approach to Musicology in the Secondary School Curriculum\",\"authors\":\"James Vincent Maiello\",\"doi\":\"10.6092/ISSN.2039-9715/10180\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Because aesthetic philosophies, which have long dominated music education, privilege music as an aesthetic object, they minimize aspects of musicology concerned with music as a cultural practice and provide too narrow a view of music itself. This has also minimized the role of musicology in the school music curriculum. First, I argue that musicological praxis is congruent with praxial philosophies of music education and that it is appropriate for inclusion in the secondary music curriculum. Second, I offer a set of criteria and recommendations for applying this philosophy and integrating musicological praxis into that curriculum. Finally, I use two brief examples by way of illustration. I hope this paper outlines at least one path for making musicology a more integral part of curriculum and instruction and that it will provide a broadly applicable philosophical framework.\",\"PeriodicalId\":30273,\"journal\":{\"name\":\"Musica Docta\",\"volume\":\"9 1\",\"pages\":\"57-65\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-12-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Musica Docta\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.6092/ISSN.2039-9715/10180\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Musica Docta","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.6092/ISSN.2039-9715/10180","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

摘要

由于长期以来主导音乐教育的美学哲学将音乐作为一种审美对象,它们将音乐作为一种文化实践的音乐学方面最小化,并提供了过于狭隘的音乐本身的观点。这也最小化了音乐学在学校音乐课程中的作用。首先,我认为音乐学实践与音乐教育的实践哲学是一致的,并且适合纳入中学音乐课程。其次,我提供了一套标准和建议,以应用这一理念并将音乐学实践融入课程。最后,我用两个简单的例子来说明。我希望本文至少勾勒出一条使音乐学成为课程和教学中不可或缺的一部分的道路,并提供一个广泛适用的哲学框架。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
A Praxial Approach to Musicology in the Secondary School Curriculum
Because aesthetic philosophies, which have long dominated music education, privilege music as an aesthetic object, they minimize aspects of musicology concerned with music as a cultural practice and provide too narrow a view of music itself. This has also minimized the role of musicology in the school music curriculum. First, I argue that musicological praxis is congruent with praxial philosophies of music education and that it is appropriate for inclusion in the secondary music curriculum. Second, I offer a set of criteria and recommendations for applying this philosophy and integrating musicological praxis into that curriculum. Finally, I use two brief examples by way of illustration. I hope this paper outlines at least one path for making musicology a more integral part of curriculum and instruction and that it will provide a broadly applicable philosophical framework.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
审稿时长
50 weeks
期刊最新文献
Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia Università e conoscenze: le relazioni fruttuose Un percorso didattico sul “Rigoletto” di Verdi: «La donna è mobile» e la voce come fantasma Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1