与j·m·g·勒·克莱姆齐奥和玛丽·达里乌塞克有关的空间-时间-结构碎片化

IF 0.1 0 LITERATURE Voix Plurielles Pub Date : 2022-04-27 DOI:10.26522/vp.v19i1.3935
Orphée Goré
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引用次数: 0

摘要

在后结构主义世界中,确定性位于过去的时代,话语的审美化源于解构的诗歌,在J.M.G. Le clacimzio(1969)和Naissances des fantômes(1998)中都呈现出不同层次的解构,他们都是由J.M.G. Le clacimzio和Marie Darrieussecq的Bref ssamjour chez les vivants(2001)。在(弗洛伊德和拉康的)精神分析和结构主义的交叉点上,本文的分析旨在揭示寻求捕捉短暂和揭示瞬间的精神错乱人物的心理路线。这个过程暗示了一个分形结构,由时空精神碎片主导,它的准时使用建立了一个碎片的制度。
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Indétermination spatio-temporelle et structure fragmentaire chez J.M.G. Le Clézio et Marie Darrieussecq
In a poststructuralist world where certainty is located in bygone times, aestheticization of discourse stems from a poetry of deconstruction present at different levels in Le Livre des fuites (1969) and Naissances des fantômes (1998), both by J.M.G. Le Clézio, and Bref séjour chez les vivants (2001) by Marie Darrieussecq. At the crossroads of (Freudian and Lacanian) psychoanalysis and structuralism, the present analysis aims to unveil the psychological route of insane characters who seek to capture the brief and unveil the instant. The process implies a fractal construction, dominated by spatiotemporal psychic fragments, the punctual use of which sets up a fragmentary regime.
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Voix Plurielles
Voix Plurielles LITERATURE-
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发文量
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审稿时长
10 weeks
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