圣博纳文蒂尔的超验美学的第一层次:把上帝视为纯粹的、原始的存在

J. Salvador-González
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引用次数: 2

摘要

圣博纳文蒂尔断言,人可以通过三个阶段沉思地上升到上帝那里。第一个是通过欣赏作为神的残余的有形事物来思考我们之外的上帝:这是博纳旺蒂尔美学的“内在”阶段,由对上帝的沉思的第一和第二阶段构成。第二阶段包括进入我们的灵魂,作为上帝的精神形象:这个中间阶段,我们可以通过他在我们灵魂中的形象来思考我们自己内心的上帝,构成了撒拉弗的“内省”美学,第三和第四阶段是对上帝的沉思。在第三阶段,人超越了物体的痕迹和他灵魂中的神的形象,将自己提升为上帝,将他视为精神和永恒的第一原则:第三阶段构成了博纳旺图尔的“超越”美学,在这个阶段,人可以考虑上帝的本质属性(第五阶段)和他的个人属性(第六阶段)。本文旨在强调博纳文蒂尔美学的第五阶段。为了达到这一目的,我们一步一步地分析了作者在《德乌姆游记》第五章中为证明他的论点而揭露的推理。
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The first level of St. Bonaventure’s transcendent Aesthetics: Contemplating God as the pure, primary Being
St. Bonaventure asserts that man can ascend contemplatively to God through three phases. The first one is to contemplate God outside us by appreciating the corporeal things as vestiges of the deity: this is the “immanent” phase of Bonaventure’s Aesthetics, framed by the first and second stages of contemplation of God. The second phase consists of entering into our soul, as a spiritual image of God: this intermediate phase, in which we can contemplate God inside ourselves by his image in our soul, constitutes the Seraphic’s “introspective” Aesthetics, with the third and fourth stages of contemplation of God. In the third phase, man, transcending the vestiges in objects and the image of the deity in his soul, elevates himself to God, contemplating him as the spiritual and eternal First Principle: that third phase constitutes the Bonaventure’s “transcendent” Aesthetics, in which man can contemplate God considering his essential attributes (fifth stage) and his personal properties (sixth stage). The current article aims to highlight this fifth stage of Bonaventure’s Aesthetics. To achieve this goal, we analyze step by step the reasoning that, to prove his thesis, our author exposes in Chapter 5 of his Itinerarium mentis in Deum.
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Biblica et Patristica Thoruniensia
Biblica et Patristica Thoruniensia Arts and Humanities-Religious Studies
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