{"title":"“在我们圈子的中心”","authors":"Dorothée Boulanger","doi":"10.1080/0969725X.2022.2093981","DOIUrl":null,"url":null,"abstract":"Abstract This article examines how non-linear time and circularity are deployed in the historical novel Nehanda (1993), written by Zimbabwean author Yvonne Vera. Using Adriana Cavarero’s work on inclination, I suggest that circular time as well as spatial roundness, which pervade the novel, are mobilised to centre African women’s voices, bodies and experiences of colonial domination and anticolonial struggles. Rehabilitating women as key historical agents of anticolonial mobilisation, Vera also proceeds to re-legitimise African knowledge production and transmission by highlighting the importance of orality, prophecy and spirituality in the fight against colonialism. Through its implicit critique of verticality, Nehanda calls into question both Western historiography on Africa and African patriarchal narratives of resistance and liberation. In a colonial context where verticality, inspired by Kant’s philosophy, gestured towards the superiority of the European man as an autonomous subject, raising himself above the others, Vera highlights how Nehanda’s authority and legacy stemmed from her “relational subjectivity” (Cavarero), that is, from the strength of her connection with her people, her land and her ancestors.","PeriodicalId":45929,"journal":{"name":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","volume":"27 1","pages":"223 - 235"},"PeriodicalIF":0.2000,"publicationDate":"2022-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“IN THE CENTRE OF OUR CIRCLE”\",\"authors\":\"Dorothée Boulanger\",\"doi\":\"10.1080/0969725X.2022.2093981\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article examines how non-linear time and circularity are deployed in the historical novel Nehanda (1993), written by Zimbabwean author Yvonne Vera. Using Adriana Cavarero’s work on inclination, I suggest that circular time as well as spatial roundness, which pervade the novel, are mobilised to centre African women’s voices, bodies and experiences of colonial domination and anticolonial struggles. Rehabilitating women as key historical agents of anticolonial mobilisation, Vera also proceeds to re-legitimise African knowledge production and transmission by highlighting the importance of orality, prophecy and spirituality in the fight against colonialism. Through its implicit critique of verticality, Nehanda calls into question both Western historiography on Africa and African patriarchal narratives of resistance and liberation. In a colonial context where verticality, inspired by Kant’s philosophy, gestured towards the superiority of the European man as an autonomous subject, raising himself above the others, Vera highlights how Nehanda’s authority and legacy stemmed from her “relational subjectivity” (Cavarero), that is, from the strength of her connection with her people, her land and her ancestors.\",\"PeriodicalId\":45929,\"journal\":{\"name\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"volume\":\"27 1\",\"pages\":\"223 - 235\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/0969725X.2022.2093981\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ANGELAKI-JOURNAL OF THE THEORETICAL HUMANITIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/0969725X.2022.2093981","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract This article examines how non-linear time and circularity are deployed in the historical novel Nehanda (1993), written by Zimbabwean author Yvonne Vera. Using Adriana Cavarero’s work on inclination, I suggest that circular time as well as spatial roundness, which pervade the novel, are mobilised to centre African women’s voices, bodies and experiences of colonial domination and anticolonial struggles. Rehabilitating women as key historical agents of anticolonial mobilisation, Vera also proceeds to re-legitimise African knowledge production and transmission by highlighting the importance of orality, prophecy and spirituality in the fight against colonialism. Through its implicit critique of verticality, Nehanda calls into question both Western historiography on Africa and African patriarchal narratives of resistance and liberation. In a colonial context where verticality, inspired by Kant’s philosophy, gestured towards the superiority of the European man as an autonomous subject, raising himself above the others, Vera highlights how Nehanda’s authority and legacy stemmed from her “relational subjectivity” (Cavarero), that is, from the strength of her connection with her people, her land and her ancestors.
期刊介绍:
Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.