大地现实主义与世界文学的引力——乔·萨科的地震线

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Cambridge Journal of Postcolonial Literary Inquiry Pub Date : 2021-09-01 DOI:10.1017/pli.2021.18
D. Davies
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引用次数: 2

摘要

通过仔细阅读乔·萨科(Joe Sacco)的《付钱给土地》(Paying the Land)(2020),这是一部关于加拿大西北地区丹恩人斗争的图画小说,本文展示了萨科如何影响一种“边缘现实主义”,将殖民现代性不同阶段的系统连续性纳入视野。然后,文章描述了萨科的“大地现实主义”,它将他的边缘现实主义与读者的辩证参与相结合。最后,在最后的理论讨论中,我思考了绘画实践如何让我们思考对现代性的综合和不均衡发展的回应,这种发展既是唯物主义的,也是非殖民化的。尽管前者通常坚持单一性和整体性,而后者提倡矛盾的多元性,但《付出土地》的边缘现实主义和地面现实主义为世界文学理论家提供了一种方法论团结的方式,既支持又反对资本主义现代性的引力。
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Terrestrial Realism and the Gravity of World Literature: Joe Sacco’s Seismic Lines
Through a close reading of Joe Sacco’s Paying the Land (2020), a graphic novel about the struggle of the Dene people in Canada’s Northwestern territories, this article shows how Sacco effects a “peripheral realism” that draws the systemic continuities of different phases of colonial modernity into view. The article then describes Sacco’s “terrestrial realism,” which combines his peripheral realism with the dialectical participation of the reader as well. Finally, in a concluding theoretical discussion, I consider how the practice of drawing allows us to think through a response to modernity’s combined and uneven development that is both materialist and decolonial at the same time. Although the former typically insists on singularity and totality, and the latter promotes a contradictory plurality, the peripheral and terrestrial realisms of Paying the Land suggest a way for theorists of world literature to find a point of methodological solidarity that is both in and against capitalist modernity’s gravitational force.
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