威廉·卡洛斯·威廉姆斯的标题缩写

IF 0.1 0 POETRY WILLIAM CARLOS WILLIAMS REVIEW Pub Date : 2017-12-02 DOI:10.1353/wcw.2017.0005
Bryce Conrad, T. Crawford, R. Abella, Alisa Allkins, Yi-Ting Chang, J. Broome, Alec Marsh, Terence Diggory
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引用次数: 0

摘要

摘要:本文探讨了达达主义与威廉·卡洛斯·威廉姆斯之间的联系。威廉姆斯对达达主义的态度是矛盾的。然而,他充分利用了达达主义的激进策略,创作了四部更具实验性、研究较少的作品,即:《地狱中的科拉》(1920)、《春天和一切》(1923)、《伟大的美国小说》(1923)和纯粹达达主义的《中篇小说》(1932)。达达主义为威廉姆斯提供了他所需要的技巧(不合逻辑、拼贴、戏仿、矛盾、戏谑、对抗、自动写作、混乱)和概念框架,以实现他自我设定的——本质上是达达主义的——消灭和复兴美国文学的使命。
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Abbreviations for Titles by William Carlos Williams
ABSTRACT:This article explores connections between Dadaism and William Carlos Williams. Williams's attitude toward Dadaism was ambivalent. However, he made ample use of the radical strategies of Dadaism to compose four of his more experimental and less studied texts, namely: Kora in Hell (1920), Spring and All (1923), The Great American Novel (1923), and the purely Dadaist A Novelette (1932). Dadaism provided Williams with the techniques (illogicality, collage, parody, contradiction, playfulness, confrontation, automatic writing, chaos) and the conceptual scaffolding he needed to pursue his self-appointed—and intrinsically Dadaist—mission to both wipe out and revive American literature.
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