音乐表演数据采集中的人际关系

IF 0.6 0 MUSIC Empirical Musicology Review Pub Date : 2021-12-10 DOI:10.18061/emr.v16i1.7555
M. Clayton, Simone Tarsitani, Richard C. Jankowsky, Luis Jure, Laura Leante, Rainer Polak, Adrian Poole, Martín Rocamora, Paolo Alborno, A. Camurri, T. Eerola, Nori Jacoby, Kelly Jakubowski
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引用次数: 1

摘要

音乐表演数据收集中的人际进入(IEMPDC)包括六个相关的音乐研究材料语料库:古巴Son&Salsa(CSS)、欧洲弦乐四重奏(ESQ)、马里·詹贝(MJ)、北印度拉加(NIR)、突尼斯斯塔姆贝利(TS)和乌拉圭坎多姆贝(UC)。每个语料库的核心数据包括媒体文件和计算提取的事件开始时序数据。还分享了汇编编写过程中使用的韵律结构和代码的注释。该系列在规模和细节水平上都是前所未有的,为音乐的实证和计算研究提供了重要的新资源。在这篇文章中,我们介绍了数据收集的主要特点以及在准备数据时使用的方法。技术验证程序的详细信息和数据可视化说明见附录。我们还将该系列与开放科学和开放数据的发展联系起来,讨论了这两个相关概念之间的重要区别。
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The Interpersonal Entrainment in Music Performance Data Collection
The Interpersonal Entrainment in Music Performance Data Collection (IEMPDC) comprises six related corpora of music research materials: Cuban Son & Salsa (CSS), European String Quartet (ESQ), Malian Jembe (MJ), North Indian Raga (NIR), Tunisian Stambeli (TS), and Uruguayan Candombe (UC). The core data for each corpus comprises media files and computationally extracted event onset timing data. Annotation of metrical structure and code used in the preparation of the collection is also shared. The collection is unprecedented in size and level of detail and represents a significant new resource for empirical and computational research in music. In this article we introduce the main features of the data collection and the methods used in its preparation. Details of technical validation procedures and notes on data visualization are available as Appendices. We also contextualize the collection in relation to developments in Open Science and Open Data, discussing important distinctions between the two related concepts.
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