石黑一雄小说形式的一些特点(剩下的日子,别让我走)

V.I. Silantyeva, O.A. Andreichykova
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摘要

本文在多元文化思维(英语-日语)的背景下考察了现代社会人文主义贬值的迹象。研究对象是获得诺贝尔奖(2017)和布克奖(1989)的作家石黑一雄的小说《剩下的一天》和《别让我走》。在《剩下的一天》中,一位日裔英国作家继承和发展了英国小说的传统,但同时又将英国人的心理特点与武士道武士守则中的荣誉和服务原则综合起来。这篇文章的作者认为,与“英国管家和日本武士的荣誉准则”相对应的微妙讽刺,在很大程度上解释了这部作品的情节逻辑。文章还指出,石黑一雄成功地用精致的日本人对存在和责任的看法反映了后殖民时期英国人的深层共性。尽管作者本人在接受采访和评论时经常坚称,他对日本几乎一无所知,他对写普遍的话题感兴趣,但这在他的小说中几乎总是产生令人震惊的效果。小说《别让我走》有助于我们理解,这部作品的特点是在任何时候、任何条件下都将人文主义作为人类的主要价值观之一。值得注意的是,这一观点与现代对这一概念的解释存在冲突。小说中的人文价值还体现在女主人公的内心思想、男主人公的关系、男主人公的行为中,作者甚至在一个非标准的反乌托邦的理想情境中,随时准备反思道德基础,没有道德基础,人类的生活是不可想象的。此外,日本文化中极具特色的人脱离本源的动机,也投射在现代欧洲人对这个问题的看法上。
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SOME FEATURES OF THE NOVEL FORM OF KADZUO ISHIGURO (REMAINING OF THE DAY, DON'T LET ME GO)
The article examines the signs of devaluation of humanism in modern society in the context of multicultural thinking (English - Japanese).  The objects of research are the novels of the Nobel (2017) and Booker (1989) Prize writer Kazuo Ishiguro - The Rest of the Day and Don't Let Me Go. In The Rest of the Day, an English writer of Japanese descent inherits and develops the tradition of the English novel, but at the same time synthesizes the peculiarities of the English mentality with the principles of honor and service in the Bushido samurai code.  The subtle irony associated with the parallel "code of honor of the English butler and the Japanese samurai," according to the authors of the article, largely explains the logic of the plot of the work.  The article also notes that Kazuo Ishiguro managed to reflect the deep commonality of postcolonial Englishness with the refined Japanese perception of being and duty.  Although the author himself in his interviews and comments often insists that he remembers almost nothing about Japan and that he is interested in writing on universal topics, this practically always has a shocking effect in his novels.  The novel Don't Let Me Go helps to understand that the peculiarity of this work is the proclamation of humanism as one of the main values of mankind at any time and under any conditions.  It is noted that this idea is manifested in a conflict with the modern interpretation of the concept.  Humanistic values in the novel are also revealed in the inner thoughts of the heroine, the relationship of the heroes, the actions of the heroes, and the author, even in a non-standard anti-utopian situation of ideals, ready to reflect on the moral foundations without which human life is unthinkable.  In addition, the motive of man's detachment from his roots, which is very characteristic of Japanese culture, is projected on the modern European vision of the problem.
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