快乐还是烦恼:内拉·拉森去世中可敬的母亲和童年的比喻

IF 0.1 3区 文学 0 LITERATURE COLLEGE LITERATURE Pub Date : 2022-06-01 DOI:10.1353/lit.2022.0014
Seohyun Kim
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引用次数: 0

摘要

摘要:《奈拉·拉森的逝去》(1929)表明,艾琳对快乐和愉悦的体验和感知与她对黑人母亲和童年的理解交织在一起。在二十世纪早期,种族提升运动的领袖们敦促黑人女孩和妇女体现出受人尊敬的母性理想,以此来对抗黑人的幼稚化,并重新获得奴隶主剥夺黑人妇女的母性。然而,种族提升领袖对黑人母亲的牺牲和道德责任的坚持经常被中产阶级的意识形态所采纳,限制了黑人妇女通过与黑人孩子以及自己的童年的各种亲密关系来想象黑人快乐的能力。这篇文章认为,艾琳体现了受人尊敬的母亲的这种保守方面,她希望保持家庭的中产阶级地位,这使她避免了有关黑人幸福的复杂问题。除了批评艾琳的局限性外,拉森还通过描述艾琳对童年好友克莱尔任性追求快乐的矛盾感受,进一步探讨了黑人女性的情爱力量。通过奥德丽·洛德对黑人内心女孩的关注,作为情爱力量的源泉,以及赛迪亚·哈特曼对快乐之爱的黑人女权主义解读,本文认为,艾琳构建她对克莱尔少女时代的记忆的方式,以及小说中对童年的比喻的运用方式,揭示了艾琳对克莱尔渴望自由生活的迷恋,以及她对自我克制的坚决拒绝。
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Joy or Vexation: Respectable Motherhood and the Trope of Childhood in Nella Larsen's Passing
Abstract:Nella Larsen's Passing (1929) illustrates that Irene's experience and perception of joy and pleasure are intertwined with her understanding of Black motherhood and childhood. During the early twentieth century, racial uplift leaders urged Black girls and women to embody the ideals of respectable motherhood as a means of both combating the infantilization of Black people and reclaiming the motherhood that slaveholders had denied to Black women. However, racial uplift leaders' insistence on the sacrificial and moral responsibilities of Black motherhood was often co-opted by a middle-class ideology, limiting Black women's ability to envision Black joy through their various forms of intimacy with Black children as well as their own childhoods. This essay contends such conservative aspects of respectable motherhood are exemplified by Irene, whose desire to maintain her family's middle-class status leads her to avoid complex questions about Black happiness. In addition to critiquing Irene's limitations, Larsen further explores Black women's erotic power by describing Irene's conflicted feelings about her childhood friend Clare's willful pursuit of pleasure. Informed by Audre Lorde's attentiveness to the Black inner girl child as a source of erotic power and Saidiya Hartman's Black feminist reading of love of pleasure, this essay argues that the manner in which Irene constructs her memory of Clare's girlhood and the ways the trope of childhood is deployed in the novel reveal Irene's fascination with Clare's yearning for a freer life and her willful refusal of self-abnegation.
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COLLEGE LITERATURE
COLLEGE LITERATURE LITERATURE-
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