讲述新故事:当代青年童话中的残疾与决心

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL Pub Date : 2023-07-18 DOI:10.1080/00497878.2023.2235626
J. Coste
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引用次数: 0

摘要

布丽吉德·卡默尔2019年的青少年小说《诅咒如此黑暗与孤独》是《美女与野兽》的翻版,讲述了一个熟悉的场景:一个美丽的年轻女孩被困在一座豪华、迷人的城堡里,房间设备齐全。一个可怕的人把她囚禁在这里,她急于逃跑。但是凯默尔的小说在野兽打开锁后不久就为女主角提供了代理。Kemmerer的女主角没有等着抓她的人让她离开房间,而是从窗户往外看,发现了一个格子,然后跳了过去。她优雅地落在地上,她的身体摇摇晃晃地沿着城堡的高墙往下走,古老的格架被她的体重压得粉碎。在地面上,在她降落的最糟糕的时候,她想,“哦,这是一个非常糟糕的主意”(Kemmerer 55)。她克服了摔倒的痛苦,赶紧跑到城堡院子里的马厩,骑着一匹名叫“铁意志”的马逃了出来(至少逃了一小会儿)。这个女主人公,哈珀,体现了读者期望从当代青春小说主角身上看到的那种坚持和决心。她大胆、任性,不愿屈从于别人的计划——尤其是如果这些计划与她所受的压迫有关。乍一看,哈珀似乎是一个典型的“坚强的女性角色”,为这个童话故事带来了凯特尼斯式的生存意志。但她在一个重要方面偏离了青春女主角的模式:她患有脑瘫,她的残疾在她的决心中发挥了不可或缺的作用。此外,哈珀还塑造了一种新型的童话女主角,她不仅要反抗压迫她的社会结构,还要反抗和重新定义文化规范。童话复述的历史充满了女孩们的反抗和坚持。虽然文学童话——比如那些著名的格林兄弟、安徒生和查尔斯·佩罗的故事——经常以耐心地维持现状的被动公主为特征,但20世纪和21世纪的童话版本越来越多地提供了藐视社会规范的女主人公。当代童话中的女主人公
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Telling New Stories: Disability and Determination in Contemporary Young Adult Fairy Tales
Brigid Kemmerer’s 2019 young adult novel A Curse So Dark and Lonely, a Beauty and the Beast retelling, offers a familiar scene: a beautiful young girl is trapped in a well-appointed room in a lavish, enchanted castle. Someone dreadful has imprisoned her here, and she is eager to escape. But Kemmerer’s novel provides agency to its heroine soon after the Beast has turned the lock. Instead of waiting for her captor to allow her out of the room, Kemmerer’s heroine peers out the window, spies a trellis, and leaps for it. She lands gracelessly, the old trellis splintering under her weight as her body judders down the tall wall of the castle. On the ground, after the trellis has broken the worst of her descent, she thinks, “Oh, this was a spectacularly bad idea” (Kemmerer 55). Pushing past the pain of her fall, she hurries to the stable on the castle’s grounds and escapes (for a little while, anyway) on a horse appropriately named “Ironwill.” This heroine, Harper, embodies the kind of persistence and determination readers have come to expect from contemporary YA protagonists. She is bold, headstrong, and unwilling to bend to someone else’s plans – especially if those plans have anything to do with her oppression. At first glance, Harper seems like a typical “strong female character,” bringing a Katnisslevel will to survive to this fairy tale narrative. But she departs from the YA heroine mold in an important way: she has cerebral palsy, and her disability plays an integral part in her determination. Moreover, Harper offers a new kind of fairy tale heroine, one who not only pushes against the social structures that oppress her, but who also resists and redefines cultural norms. The history of the fairy tale retelling is replete with girls resisting and persisting. While literary fairy tales – those well-known stories by the Brothers Grimm, Hans Christian Andersen, and Charles Perrault, for example – often feature passive princesses who patiently uphold the status quo, twentieth and twenty-first-century fairy tale revisions have increasingly offered heroines who flout social norms. Contemporary fairy tale heroines
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WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL
WOMENS STUDIES-AN INTERDISCIPLINARY JOURNAL HUMANITIES, MULTIDISCIPLINARY-
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