Entitive感知和艺术操作。Alva Noë的评论

Dario Cecchi
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摘要

本文的目的是论证感性的动因理论与美学之间的关系。演绎理论的领军人物之一阿尔瓦·诺伊指出,艺术作品是理解感知和认知如何实现对现实的演绎的关键之一。事实上,艺术品是一种非常特殊的人工制品,因为它们被认为能够加快生物与世界互动的组织。他们是否创造了不同的氛围?它们是否为周围的栖息地赋予了新的意义?本文认为,这些当然是艺术对现实行动的基本要素。就感知的主观设定而言,与设计生活组织的力量一起,艺术可以说还有另一种原始功能,即建立新的“环境”,在这种环境中,经验可以在不同的光线下与现实相遇,从而为文化和技术上的其他创造性贡献做好准备。
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Percezione enattiva e operare artistico. Osservazioni a partire da Alva Noë
The paper is concerned with arguing the existence of a relationship between the enactive theory of perception and aesthetics. One of the leading figures in the theory of enactment, Alva Noe, pointed out that the works of art constitute one of the keys to understand how perception and cognition realize their enactment onto reality. Art objects are, in fact, a very peculiar case of artefacts since they are considered as being able to quicken the living beings’ organization in their interaction to the world. Do they create a different atmosphere? Do they “furnish” the surrounding habitat with new meanings? The paper argues that these are, of course, fundamental elements in the art’s action onto reality. As far as the subjective enactment of perception is concerned, together with power in designing life organization, art has arguably another original functions, that of building new “environs” where experience can meet reality under a different light and thus prepare the field for other creative contributions, both cultural and technological.
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