克里斯汀·埃辛:《后台工作:技术戏剧劳动的文化史和民族志》

IF 0.4 2区艺术学 0 THEATER MODERN DRAMA Pub Date : 2022-12-01 DOI:10.3138/md-65-4-br2

Chrystyna M. Dail

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摘要

在1943年的文章《Pythian Heritage》中，存在主义者Roger Caillois瞄准了重视偶然性、偶然性和自发性的艺术传统。与他决裂的超现实主义者倾向于反对他们无意识的自动化，反对理性计划的窒息。Caillois回答说，真正的超现实主义镇压不是计划，而是熟练的工作：

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Christin Essin, Working Backstage: A Cultural History and Ethnography of Technical Theater Labor

In his 1943 essay “Pythian Heritage,” the exsurrealist Roger Caillois — whose Man, Play and Games (1958) would inform early work in performance studies — took aim at the artistic tradition of valuing chance, accident, and spontaneity. The surrealists he had broken from tended to oppose their unconscious automatism against the suffocations of rational planning. Caillois replied that the true surrealist repression was not planning, but skillful work:

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