梅休:约翰斯通的《我们如何生活在伦敦的世界》

Q2 Arts and Humanities Victorian Popular Fictions Pub Date : 2021-12-17 DOI:10.46911/axja8957
Taryn Hakala
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引用次数: 0

摘要

19世纪50年代的英国舞台受亨利·梅休(Henry Mayhew)关于城市贫困的作品的影响,产生了一系列戏剧,其中许多是为伦敦东区和泰晤士河南岸的“小”剧院创作的。这些剧院的编剧和他们的作品经常被视为文学“黑客”,在很大程度上被低估了,也没有得到充分的研究。本文聚焦于其中一位作家,约翰·比尔·约翰斯通,他的《我们如何生活在伦敦的世界》;1856年3月24日,《伦敦劳工与伦敦穷人》在萨里剧院首演。从文学“盗版”的积极角度来看,我认为约翰斯通的戏剧巧妙地重新想象了梅休的社会新闻,并为萨里的混合观众颠覆了对城市穷人的普遍刻板印象。
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Melodramatic Mayhew: J.B. Johnstone’s How We Live in the World of London
The British stage of the1850s produced a flurry of dramas influenced by Henry Mayhew’s work on urban poverty, many of which were written for the “minor” theatres of London’s East End and the south side of the Thames. Often dismissed as literary “hacks,” the writers for these theatres and their works have been largely undervalued and understudied. This article shines a spotlight on one such writer, John Beer Johnstone, whose How We Live in the World of London; Or, London Labour and the London Poor premiered at the Surrey Theatre on 24 March 1856. Taking a positive view of literary “piracy,” I argue that Johnstone’s play cleverly re-imagines Mayhew’s social journalism and subverts prevalent stereotypes of the urban poor for the Surrey’s mixed audiences.
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来源期刊
Victorian Popular Fictions
Victorian Popular Fictions Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
11
审稿时长
16 weeks
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