立法艺术:艺术与法律的相互作用

IF 0.4 Q3 CULTURAL STUDIES Journal of Aesthetics & Culture Pub Date : 2022-02-27 DOI:10.1080/20004214.2022.2034295
Amin Parsa, E. Snodgrass
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引用次数: 0

摘要

法律和艺术的关系通常是通过学科划分来理解的,学科划分将艺术视为法律实践和学术的工具,或者将法律视为艺术参与的潜在背景。在这篇文章中,我们超越了学科定义,探讨了艺术和法律作为世界上的秩序和行动模式,在各自参与现有物质秩序的愿望中是如何重叠的。尽管法律对生产秩序的主张似乎是不言而喻的,但我们试图通过立法艺术的概念来强调艺术实践的类似功能,这一功能往往被忽视。我们所说的立法艺术的核心是旨在通过艺术和法律元素的战术组合来挑战法律在秩序社会生活方面的权威主张的实践。在研究一系列例子时,包括关闭美国一所超大型监狱的Tamms十年运动、法医建筑的工作和伪造护照的做法,我们的目的是强调在完全依赖州法律之外体现社会秩序的可能性。针对这种立法艺术实践的潜力,本文建议,艺术和法律实践的物质秩序质量可以,也许应该,被武器化,以挑战和重塑不公正的国家法律世界。
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Legislative arts: interplays of art and law
ABSTRACT The relation of law and art is conventionally understood through a disciplinary divide that presents art as an instrument of legal practice and scholarship or, alternatively, presents law as potential context for artistic engagement. Moving beyond disciplinary definitions, in this article we explore how art and law, as modes of ordering and action in the world, often overlap in their respective desires to engage existing material orders. Whereas law’s claim of producing order appears self-evident, we try to highlight, through a concept of legislative arts, the often-overlooked similar function of artistic practices. At the heart of what we refer to as legislative arts are practices that aim to challenge law’s claim of authority in ordering social life through tactical combinations of elements of art and law. In examining a set of examples that include the Tamms Year Ten campaign to close a super-max prison in the United States, the work of Forensic Architecture and practices of passport forgery, we aim to highlight the possibility of manifesting social orders beyond an exclusive reliance upon state laws. Pointing to the potentials of such legislative arts practices, this article suggests that the material ordering quality of artistic and legal practices can, and perhaps should, be weaponized for challenging and remaking the world of unjust state laws.
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
15
审稿时长
14 weeks
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