{"title":"范式的变化与机械(再)发现。亚洲手稿文化与印刷文化","authors":"C. A. Formigatti","doi":"10.13135/1825-263X/2260","DOIUrl":null,"url":null,"abstract":"This introduction summarizes the articles included in this section, at the same time presenting some fundamental aspects of the scholarly debate about the so-called ‘print revolution.’ The attempt is made to draw preliminary conclusions about the impact of printing technology in a wider context, taking into consideration the peculiarities of different Asian book cultures as compared to European book culture. The aim of this short contribution is to elicit a discussion between scholars rather than provide definitive answers.","PeriodicalId":37635,"journal":{"name":"Kervan","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2018-11-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Change of Paradigms and Mechanical (Re)discoveries. Manuscript Cultures and Print Cultures Across Asia\",\"authors\":\"C. A. Formigatti\",\"doi\":\"10.13135/1825-263X/2260\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This introduction summarizes the articles included in this section, at the same time presenting some fundamental aspects of the scholarly debate about the so-called ‘print revolution.’ The attempt is made to draw preliminary conclusions about the impact of printing technology in a wider context, taking into consideration the peculiarities of different Asian book cultures as compared to European book culture. The aim of this short contribution is to elicit a discussion between scholars rather than provide definitive answers.\",\"PeriodicalId\":37635,\"journal\":{\"name\":\"Kervan\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-11-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Kervan\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.13135/1825-263X/2260\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Kervan","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.13135/1825-263X/2260","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Change of Paradigms and Mechanical (Re)discoveries. Manuscript Cultures and Print Cultures Across Asia
This introduction summarizes the articles included in this section, at the same time presenting some fundamental aspects of the scholarly debate about the so-called ‘print revolution.’ The attempt is made to draw preliminary conclusions about the impact of printing technology in a wider context, taking into consideration the peculiarities of different Asian book cultures as compared to European book culture. The aim of this short contribution is to elicit a discussion between scholars rather than provide definitive answers.
KervanArts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍:
The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.