在对尼萨的格列高利圣歌的评论中,人类在其kenogical维度上的偏离

IF 0.1 0 RELIGION Revista de Cultura Teologica Pub Date : 2019-12-24 DOI:10.23925/rct.i94.45888
M. E. D. Silva
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引用次数: 0

摘要

本研究的目的是在尼萨的格里高利之歌的评注中呈现神秘的和人类的自我空虚,这是基于对上帝的存在与不存在的辩证关系。尼塞尼派思想对基督徒生活的神秘理解的相关性证明了这一目标是合理的。为了达到这一目标,建议对尼森神秘主义的基本术语如Epektais、image、Agape和eros做一个简短的介绍。接下来,我们研究了十五篇讲道的内容,通过这些内容,尼萨对《雅歌》进行了评论。尼萨使用的寓言类型学方法,被考虑到以及亚历山大的影响,首先是奥利根,在尼萨的解释。最后,有一个关于人类去中心化如何在《雅歌》的自我空化维度中显现的分析。
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O descentrar-se humano em sua dimensão Kenótica no comentário ao Cântico dos Cânticos de Gregório de Nissa
The objective of this study is to present the mystical and human self-emptying in the ascension to God, in the commentary of the Song of Songs of Gregory of Nissa, which, based towards God, in a dialectic of presence and absence. This objective is justified by the relevance which the Nissene thought has about the mystical understanding of the Christian life. To reach this objective, it is proposed to make a short presentation of the fundamental terms of the nissene mysticism such as Epektais, image, Agape, and eros. Following on this the content of the fifteen homilies are studied, through which Nissa comments on the Song of Songs. The allegorical-typological method used by Nissa, is taken into account as well as the Alexandrine influence, above all of Origen, in the interpretation of Nissa. To finalise, there is an analysis of how the human decentering is evident in the self-emptying dimension of the Song of Songs.
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30
审稿时长
16 weeks
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