土著成为:起源和自我的共鸣,与Sylvana Opoya从塔鲁温,圭亚那,亚马逊合作编写的剧本

Q1 Arts and Humanities eTropic Pub Date : 2020-08-30 DOI:10.25120/etropic.19.1.2020.3732
Christophe Rulhes
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引用次数: 0

摘要

这篇文章描述了西尔瓦娜·奥波亚对《塞尔夫》的写作和舞台表演的贡献,这是一部由克里斯托弗·鲁尔赫斯和GdRA在法国表演和设计的戏剧。在剧中,法属圭亚那亚马逊地区22岁的Wayana妇女Sylvana谈到了污染和淘金。通过采访的视频摘录,她的叔叔Aimawale Opoya,Taluhwen的村长,解决了Wayana领土主权与“白人”生态思想的关系问题。塞尔夫的灵感来自西尔瓦纳和艾马瓦尔的亚马逊雨林,以及作家兼导演克里斯托弗·鲁尔斯的故乡克雷西·鲁尔格(法国阿威龙)偏远的欧西坦语言和农民传统。因此,想要归属地球的各种方式在塞尔夫回荡。在这篇文章中,艺术家Christophe Rulhes使用人类学的方法(他毕业于社会科学高级研究院)来强调Wayana的本土文化对Selve概念的直接影响。
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Indigenous Becoming: Genesis and Resonance of Selve, a Play co-written with Sylvana Opoya from Taluhwen, Guiana, Amazonia
This article describes Sylvana Opoya's contribution to the writing and staging of Selve , a play performed and designed in France by Christophe Rulhes and the GdRA. In the text of the play, Sylvana, a 22-year-old Wayana woman in the French Guiana Amazon, talks about pollution and gold panning. Via video extracts from interviews, her uncle Aimawale Opoya, the tipatakem or village chief of Taluhwen, addresses the question of Wayana territorial sovereignty in relation to "white people’s" ecological thought. Selve is inspired by the Amazon rainforest of Sylvana and Aimawale, and the remote Occitan language and peasant traditions of Quercy Rouergue (in Aveyron, France), the homeland of author and director Christophe Rulhes. As a result, various ways of wanting to belong to earth are echoing in Selve . In this article, the artist Christophe Rulhes uses methods from anthropology (he graduated from the Ecole des Hautes Etudes en Sciences Sociales) to underline the direct influence of Wayana's native culture on Selve 's conception.
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来源期刊
eTropic
eTropic Arts and Humanities-Literature and Literary Theory
CiteScore
2.00
自引率
0.00%
发文量
27
审稿时长
12 weeks
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