“迫在眉睫、永不完美的到来”：当代德国朝鲜纪录片

IF 0.2 4区社会学 Q4 AREA STUDIES German Studies Review Pub Date : 2023-05-01 DOI:10.1353/gsr.2023.0042

Qing Zhou

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摘要

本文调查了两部试图超越对朝鲜负面刻板印象的当代德国纪录片:Eine Postkarte aus Pjöngjang (Gregor Möllers and Anne Lewald, 2019)和Meine brder und Schwestern im Norden (Cho Sung-hyung, 2016)。我认为，这些电影通过将多方面的想象力投射到朝鲜的自然和城市景观上，提出了“一种迫在眉睫、从未实现的短暂性”。在《明信片》中，从民主德国时代到现在，跨国团结的未来一直处于停滞状态;在赵的电影中，民族团结的影响在身份认同和非归属之间的永恒摇摆中暂停。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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“A Temporality of Imminent, Never-Consummated Arrival”: Contemporary German Documentaries on North Korea

abstract:This article investigates two contemporary German documentaries that attempt to look beyond negative stereotypes of North Korea: Eine Postkarte aus Pjöngjang (Gregor Möllers and Anne Lewald, 2019) and Meine Brüder und Schwestern im Norden (Cho Sung-hyung, 2016). I argue that the films put forward “a temporality of imminent, never-consummated arrival” by projecting multifaceted imagination onto the natural and urban landscapes of North Korea. In Postcard, the future of transnational solidarity has remained forestalled from the GDR era to the present; in Cho’s film, the affect of ethnic unity is suspended in a perpetual oscillation between identification and non-belonging.

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German Studies Review Multiple-

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0.20

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