塞浦路斯“圣殿男孩”雕塑初探

Q2 Arts and Humanities Studies in Ancient Art and Civilization Pub Date : 2018-07-27 DOI:10.12797/saac.21.2017.21.04
Maciej Wacławik
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引用次数: 2

摘要

尽管学者们已经研究了多年,但关于寺庙男孩雕像的问题仍然多于答案。除了规范的表现,许多小雕像被认为属于寺庙男孩的范畴,即使他们不具备与之兼容的特征。对他们的展示方式,以及男孩们拿着的动物、水果和其他物品的象征性分析,将影响的方向从腓尼基转移到埃及,也将展示的男孩的年龄提高到两到三岁。最后,它们可能被解释为许愿的礼物,以确保塞浦路斯王位继承人的保护和福祉。
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A Few Preliminary Remarks on the Cypriot Sculptures Known as Temple-Boys
Although scholars have pored over them for many years, there are still more questions than answers concerning the temple-boy figurines. Aside from canonical presentations, many figurines are considered as belonging to the temple-boy category, even though they do not possess features compatible with it. Symbolic analysis of the manner of their presentation, as well as animals, fruits and other objects held by the boys, shifts the direction of influence from Phoenicia to Egypt, also raising the age of the presented boys to two to three years old. Finally, they might be interpreted as votive gifts to ensure protection and well-being for Cypriot heirs to the throne.
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来源期刊
Studies in Ancient Art and Civilization
Studies in Ancient Art and Civilization Arts and Humanities-Classics
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