“对话观众的嗡嗡声”:美国早期电影理论中的普通批评与电影文化

IF 0.3 0 PHILOSOPHY Open Philosophy Pub Date : 2023-01-01 DOI:10.1515/opphil-2022-0251
Marthe Statius
{"title":"“对话观众的嗡嗡声”:美国早期电影理论中的普通批评与电影文化","authors":"Marthe Statius","doi":"10.1515/opphil-2022-0251","DOIUrl":null,"url":null,"abstract":"Abstract This article seeks to explore the early stages of American film theory, where cinephilia became a site of aesthetic interest and criticism thanks to the theorization of cinema as a conversational medium. Following Stanley Cavell’s analysis of a distinct form of moviegoing in America, based on the casual conversation about movies, I argue that a reinterpretation of Emerson’s ordinary aesthetics has been at the core of early film theory, especially in Vachel Lindsay’s writings. In order to illustrate the relation between the defence of a new medium and the attempt to define a quintessentially American art form, this article focuses on the concept of “conversation” that Lindsay uses to describe film spectatorship and to provide a new critical apparatus to grasp the specificity of film aesthetics.","PeriodicalId":36288,"journal":{"name":"Open Philosophy","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“The Hum of the Conversing Audience”: Ordinary Criticism and Film Culture in American Early Film Theory\",\"authors\":\"Marthe Statius\",\"doi\":\"10.1515/opphil-2022-0251\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article seeks to explore the early stages of American film theory, where cinephilia became a site of aesthetic interest and criticism thanks to the theorization of cinema as a conversational medium. Following Stanley Cavell’s analysis of a distinct form of moviegoing in America, based on the casual conversation about movies, I argue that a reinterpretation of Emerson’s ordinary aesthetics has been at the core of early film theory, especially in Vachel Lindsay’s writings. In order to illustrate the relation between the defence of a new medium and the attempt to define a quintessentially American art form, this article focuses on the concept of “conversation” that Lindsay uses to describe film spectatorship and to provide a new critical apparatus to grasp the specificity of film aesthetics.\",\"PeriodicalId\":36288,\"journal\":{\"name\":\"Open Philosophy\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Open Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/opphil-2022-0251\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/opphil-2022-0251","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0

摘要

摘要本文旨在探讨美国电影理论的早期阶段,由于电影作为对话媒介的理论化,电影迷成为审美兴趣和批评的场所。根据斯坦利·卡维尔(Stanley Cavell)对美国一种独特的观影形式的分析(基于对电影的随意交谈),我认为,对爱默生普通美学的重新诠释一直是早期电影理论的核心,尤其是在瓦切尔·林赛(Vachel Lindsay)的著作中。为了说明捍卫一种新媒介与试图定义一种典型的美国艺术形式之间的关系,本文将重点放在林赛用来描述电影观众的“对话”概念上,并提供一种新的批判工具来把握电影美学的特殊性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
“The Hum of the Conversing Audience”: Ordinary Criticism and Film Culture in American Early Film Theory
Abstract This article seeks to explore the early stages of American film theory, where cinephilia became a site of aesthetic interest and criticism thanks to the theorization of cinema as a conversational medium. Following Stanley Cavell’s analysis of a distinct form of moviegoing in America, based on the casual conversation about movies, I argue that a reinterpretation of Emerson’s ordinary aesthetics has been at the core of early film theory, especially in Vachel Lindsay’s writings. In order to illustrate the relation between the defence of a new medium and the attempt to define a quintessentially American art form, this article focuses on the concept of “conversation” that Lindsay uses to describe film spectatorship and to provide a new critical apparatus to grasp the specificity of film aesthetics.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Open Philosophy
Open Philosophy Arts and Humanities-Philosophy
CiteScore
1.40
自引率
20.00%
发文量
25
审稿时长
15 weeks
期刊最新文献
Relational or Object-Oriented? A Dialogue between Two Contemporary Ontologies On the “How” and the “Why”: Nietzsche on Happiness and the Meaningful Life Knowing Holbein’s Objects: An Object-Oriented-Ontology Analysis of The Ambassadors Calling and Responding: An Ethical-Existential Framework for Conceptualising Interactions “in-between” Self and Other Non-Existence: The Nuclear Option
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1