论德·拉·马雷《听众》中的虚无现象

IF 0.2 3区 文学 N/A LITERATURE EXPLICATOR Pub Date : 2022-10-02 DOI:10.1080/00144940.2023.2184677
Biswarup Das
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引用次数: 0

摘要

英国诗人沃尔特·德拉马雷(Walter de la Mare1,1873-1956)在其1912年的诗歌《听众》(The Listeners)中描绘了一个“孤独的旅行者”(20)2,他晚上来到森林中的一所房子,但没有遇到任何人。他敲着“月光下的门”(2),不断的呼唤仍然没有得到回应。最后,他离开了,让房子里的“幻影听众”(13)告诉房子里的居民,他“来了,但没有人回答,/他遵守了诺言”(27-28)。读者和学者对《听者》有多种解读。4然而,关于这首诗的一个重要问题却被忽视了。仔细研究,很明显,旅行者的故事预示着一个人在这个世界上不可避免地会遇到的虚无。1943年,在这首诗出版三十一年后,法国思想家让-保罗·萨特(1905–80)在他的代表作《存在与虚无》中煞费苦心地处理了人类的虚无体验。有趣的是,de la Mare的《旅行者》遭遇虚无的各种方式与萨特在其作品中呈现的方式有着惊人的相似之处。因此,虚无的主题成为诗歌中一个奇怪的问题。然而,在探索《听者》中的虚无主题之前,有必要提到的是,世界上永远不存在虚无。这是因为萨特所说的世界的组成部分是完全积极的(曼瑟47)。他们是积极的,因为他们是独立的,永恒的,没有区别。然而,它们也是惰性的,使世界变得毫无意义(Spade 76-85)。当人类意识投射到世界上时,世界就获得了意义。现在,以这种方式形成的意义是非凡的,给积极的世界注入了否定。这是因为意识本质上是消极的。意识不是位于自身,而是属于它所意识到的物质,并通过从一个物体转移到另一个物体而改变。萨特指出,“[意识]不是它是什么,也不是它不是什么”(萨特21)。https://doi.org/10.1080/00144940.2023.2184677
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The Phenomena of Nothingness in de la Mare’s “The Listeners”
In his 1912 poem “The Listeners,” the English poet Walter de la Mare1 (1873–1956) presents a “lonely Traveller” (20)2 who comes to a house in a forest at night but fails to meet anyone. His3 knocking “on the moonlit door” (2) and repeated callings remain unanswered. Finally, he departs, asking the “phantom listeners” (13) inside the house to tell the house dwellers that he “came, and no one answered,/That [he] kept [his] word” (27–28). Readers and scholars have interpreted “The Listeners” in several ways.4 However, an important issue about the poem has nonetheless been overlooked. Studied closely, it becomes evident that the story of the Traveler betokens the nothingness one inescapably comes across in the world. In 1943, thirty-one years after the poem’s publication, the French thinker Jean-Paul Sartre (1905– 80) painstakingly dealt with the human experience of nothingness in his magnum opus Being and Nothingness. Intriguingly, the various ways de la Mare’s Traveler encounters nothingness bear striking parallels with the ones Sartre presents in his work. As such, the motif of nothingness becomes a curious issue in the poem. However, before exploring the motif of nothingness in “The Listeners,” it is necessary to mention that nothingness is never present in the world. It is because the world’s constituents, which Sartre calls matters, are wholly positive (Manser 47). They are positive for being self-contained, timeless, and without differentiation. However, they are also inert, making the world meaningless (Spade 76–85). The world acquires meaning as human consciousness is projected on it. Now, the meaning formed in this way is phenomenal, infusing the positive world with negations. It is because consciousness is negative by nature. Instead of being situated in itself, consciousness belongs to the matter it is aware of and changes by shifting from one object to another. Sartre states, “[consciousness] is not what it is and is what it is not” (Sartre 21). https://doi.org/10.1080/00144940.2023.2184677
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期刊介绍: Concentrating on works that are frequently anthologized and studied in college classrooms, The Explicator, with its yearly index of titles, is a must for college and university libraries and teachers of literature. Text-based criticism thrives in The Explicator. One of few in its class, the journal publishes concise notes on passages of prose and poetry. Each issue contains between 25 and 30 notes on works of literature, ranging from ancient Greek and Roman times to our own, from throughout the world. Students rely on The Explicator for insight into works they are studying.
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