可视化弹性

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2020-12-01 DOI:10.3167/cs.2020.320407
P. Nayar
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引用次数: 0

摘要

本文认为,Joe Sacco在2000年首次出版的《安全区Goražde》一书中,不断地将我们的注意力吸引到Goražde从1994-95年大屠杀的可怕经历中恢复过来的人们,以此来指出同一群人的持续创伤。首先,萨科描述了个人和社会的弹性。然后,他把镇上的居民描绘成永远生活在危险之中,因为恢复力要求动员灾难或其威胁作为一个持续的存在。第三,复原力与文化保护的崩溃有关,在这种情况下,幸存者变成了未来灾难的先行者。萨科认为,弹性终究不是一件好事,因为它会使本已根深蒂固的脆弱性暴露于更大的风险和一个不确定但不安全的未来。
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Visualising Resilience
This article argues that Joe Sacco in Safe Area Goražde, first published in 2000, constantly draws our attention to the resilience of the Goražde people who recover from their horrific experiences of the 1994–95 massacres, as a way of pointing to the continuing trauma of the same people. First, Sacco depicts both individual and social resilience. He then presents the inhabitants of the town as living in perpetual risk, for resilience demands the mobilisation of disaster or its threat as a constant presence. Third, resilience is linked to the collapse of cultural protection where the survivors are transformed into previvors of a future disaster. Sacco suggests that resilience, then, is not a good thing after all because it opens up already embedded vulnerability to greater exposure and an uncertain, but not secure, future.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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