写作包容和多样化的儿童电视节目:澳大利亚广播公司《第一天》中的跨性别代表

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION Journal of Screenwriting Pub Date : 2021-09-01 DOI:10.1386/josc_00070_1
N. Krikowa
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引用次数: 1

摘要

本文介绍了澳大利亚儿童电视节目《第一天》(ABC Australia 2020年至今)的一个案例研究,该节目描述了一个年轻的变性女孩开始上高中的经历。本文通过对该剧编剧兼导演朱莉·卡尔塞夫(Julie Kalceff)的采访,探讨了创作包容性和多样性儿童电视节目的编剧过程。Kalceff讨论了她的编剧过程,她为那些占据有限和边缘空间的儿童写作,以及为创作她以跨性别角色为主角的开创性作品所进行的研究、写作和咨询过程。最终的剧集探索了开始高中旅程的普遍经历,同时允许屏幕上的性别多样性正常化-希望这是未来许多类型的第一个。通过突出历史上被边缘化的角色,编剧可以探索普遍的社会、心理和生理考验,并在此过程中打破围绕LGBTQ人群的污名。
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Writing inclusive and diverse children’s television: Transgender representation in ABC Australia’s First Day
This article presents a case study of the Australian children’s television programme, First Day (ABC Australia 2020‐present), which depicts a young transgender girl’s experiences beginning high school. The article explores the screenwriting process involved in creating inclusive and diverse children’s television, drawing on an original interview with Julie Kalceff, the show’s screenwriter and director. Kalceff discusses her screenwriting process writing for and about children who occupy liminal and marginal spaces and the research, writing and consultation processes undertaken to create her pioneering work with trans characters as lead protagonists. The resulting series explores the universal experience of starting the high school journey, while allowing for a normalizing of gender diversity on-screen ‐ hopefully the first of many of its type in the future. By foregrounding historically marginalized characters, screenwriters can explore universal social, psychological and physical trials, and in the process, break down stigmas surrounding LGBTQ people.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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