从马拉梅到博泽托:克劳德·德彪西“Préludeàl‘après-midi d‘un faune”的跨学科教育之路

Andrea Stefano Malvano
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摘要

这一教学应用的重点是克劳德·德彪西的序曲一个l ' apresi -midi d 'un faune(1892-1894)。目标是培养与18世纪末法国曲目的听力有关的特定技能。文学参考Stephane Mallarme的Apres-midi d 'un faune允许跨学科的方法来进行活动,这也有助于学生获得象征主义和印象派的概念。申请对象为高三学生,要求文学、历史、外语和艺术教师之间的合作。该计划包括两个阶段:基于德彪西的音乐分析马拉梅的文本,以及侧重于分割,重复,分层和语言化的方法原则的指导听力活动。在可能的进一步跨学科发展活动中,作者建议与布鲁诺·博泽托(Bruno Bozzetto)于1976年创作的动画电影《无troppo快板》(Allegro non - troppo)进行理性比较,该电影的音乐是《序曲》(Prelude a l ' apress -midi d 'un faune)。
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Da Mallarmé a Bozzetto: un percorso didattico interdisciplinare sul “Prélude à l’après-midi d’un faune” di Claude Debussy
This teaching application focuses on Claude Debussy’s Prelude a l’apres-midi d’un faune (1892-1894). The goal is to develop specific skills pertaining to the listening of the French repertoire of the end of the 18th century. The literary reference to Stephane Mallarme’s Apres-midi d’un faune allows for a cross-disciplinary approach to the activities, which also helps students acquire the concepts of symbolism and impressionism. The application is addressed to high school students (in their last year) and requires collaboration among teachers of literature, history, foreign languages and arts. The program involves two stages: an analysis of Mallarme’s text based on Debussy’s music, and a guided listening activity that focuses on the methodological principles of segmentation, repetition, layering and verbalization. Among possible further activities for a cross-disciplinary development, the author suggests a reasoned comparison with the animation film Allegro non troppo, created by Bruno Bozzetto in 1976 on the music of the Prelude a l’apres-midi d’un faune.
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Spiegare le note e il tempo con le parole. Appunti per una tipologia della recensione musicale in Italia Università e conoscenze: le relazioni fruttuose Un percorso didattico sul “Rigoletto” di Verdi: «La donna è mobile» e la voce come fantasma Tradurre in parole Beethoven: la Sonata per pianoforte in Re minore op. 31 n. 2 “La Tempesta” Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020
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