aspa杂志特刊简介:创造力很重要,第二部分(2023)

IF 0.4 0 FILM, RADIO, TELEVISION Studies in Australasian Cinema Pub Date : 2023-05-04 DOI:10.1080/17503175.2023.2228607
M. McVeigh, Aurora Scheelings, J. Tindale, Joseph Grogan
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引用次数: 0

摘要

会议探讨了当今和未来澳大利亚高等教育机构所有研究和教学领域的创造力问题。它承认了屏幕行业正在迅速变化的事实。新一代的说书人正在进入这一领域,这导致了对职业机会和资金的竞争。在这种环境下,大学在教育学生在当地和全球环境中创造性和协作方面发挥着关键作用。这里的文章构成了我们特刊的第二部分(继去年上一期《澳大拉西亚电影研究》之后),包括两个案例研究:一个关注创意合作,另一个关注无国籍老年女性(2020)。第一个涉及生产和教育学,第二个涉及诗学和政策。Sergi、Fitchett和Fisher在《大学电影学院与工业创造性合作的核心:案例研究》中对制作和教育学的主题进行了调查。该论文概述了邦德大学与外部制片公司在故事片《黑暗的恐惧》的开发、拍摄和后期制作方面的成功合作(Chris Fitchett,2015)。这部低成本、高概念的电影是一部超自然的惊悚片,讲述了一位年轻的精神病学家调查一名大学生失踪的故事。他们的论文认为,专题片制作模式为学生、校友和工作人员提供了互利的机会,让他们获得实地行业经验、专业网络和屏幕学分。与此同时,制作公司从大学的设备、制作场所和拍摄地点中受益。作者讨论了这一学术与行业合作带来的组织挑战、经验教训和机遇。主题
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Introduction to the ASPERA Journal Special Issue: creativity matters, part two (2023)
. The conference explored matters regarding creativity across all areas of research and teaching in Australian higher education institutions today and into the future. It acknowledged the fact that the screen industry is changing rapidly. New generations of storytellers are entering the scene resulting in competition for career opportunities and funding. In this environment, universities play a pivotal role in educating students to work creatively and collaboratively in local and global scenarios. The articles here constitute part two of our special issue (following on from the previous issue of Studies in Australasian Cinema last year), include two case studies: one focusing on creative collab-orations and one on older women in Stateless (2020). Where the fi rst speaks to production and pedagogy, the second foregrounds poetics and policy. The themes of Production and Pedagogy are investigated by Sergi, Fitchett, and Fisher in University Film Schools at the Heart of Creative Collaborations with Industry: A Case Study . The paper outlines the successful collaboration between Bond University and external production companies to develop, shoot and post-produce the feature fi lm The Fear of Darkness (Chris Fitchett, 2015). The low-budget, high concept fi lm is a super-natural thriller about a young psychiatrist who investigates the disappearance of a university student. Their paper argues that the feature fi lm production model provides mutually bene fi cial opportunities for students, alumni and sta ff to gain on-the-ground industry experience, professional networks and screen credits. At the same time production companies bene fi t from access to equipment, a production o ffi ce and shooting locations at the University. The authors discuss the organisational challenges, learnings and opportunities this academic-industry collaboration presents. The themes
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来源期刊
Studies in Australasian Cinema
Studies in Australasian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
7
期刊最新文献
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