{"title":"透气砖","authors":"A. Knapp","doi":"10.1017/s1054204322000363","DOIUrl":null,"url":null,"abstract":"For 100 days in 2015, performance artist Nut Brother dragged a vacuum cleaner through Beijing and formed the collected smog particles into a solid brick. Dust Project brings into sharp relief the harm related to the necessary act of breathing and the effects of anthropogenic climate change. As air quality declines, breathing marks the everyday entanglement with particulate matter and its attendant violences as a performance of endurance.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"66 1","pages":"149 - 165"},"PeriodicalIF":0.4000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Breathing Bricks\",\"authors\":\"A. Knapp\",\"doi\":\"10.1017/s1054204322000363\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"For 100 days in 2015, performance artist Nut Brother dragged a vacuum cleaner through Beijing and formed the collected smog particles into a solid brick. Dust Project brings into sharp relief the harm related to the necessary act of breathing and the effects of anthropogenic climate change. As air quality declines, breathing marks the everyday entanglement with particulate matter and its attendant violences as a performance of endurance.\",\"PeriodicalId\":46402,\"journal\":{\"name\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"volume\":\"66 1\",\"pages\":\"149 - 165\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1054204322000363\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR-The Drama Review-The Journal of Performance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1054204322000363","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
For 100 days in 2015, performance artist Nut Brother dragged a vacuum cleaner through Beijing and formed the collected smog particles into a solid brick. Dust Project brings into sharp relief the harm related to the necessary act of breathing and the effects of anthropogenic climate change. As air quality declines, breathing marks the everyday entanglement with particulate matter and its attendant violences as a performance of endurance.
期刊介绍：
TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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