Roehana Koeddoes在Belenggu Emas对荷兰殖民主义的抵抗Iksana Banu

Humaniora Pub Date : 2021-02-28 DOI:10.22146/JH.62578
R. Rahmayati
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引用次数: 1

摘要

尽管被当时的殖民和父权制度定位为劣势,印尼妇女仍参与了反抗荷兰殖民的斗争。这些妇女现在被公认为民族英雄,她们通过直接参与战斗或通过社会倡议间接参与斗争。其中包括Roehana Koeddoes,她的抵抗在Iksaka Banu的短篇小说《Belenggu Emas》中有描述,其中一位来自西苏门答腊的土著妇女建立了一所专门教授妇女的学校,并为妇女出版了一份报纸《Soenting Melajoe》。本研究旨在运用后殖民主义理论的定性方法,再现巴奴故事中罗哈娜·科多斯对荷兰殖民主义的反抗。结果表明,Roehana Koeddoes对荷兰殖民主义的反抗表现为模仿、混杂和矛盾。表现出的模仿是对关于知识、教育、道德和习惯优越性的殖民话语的模仿,正如Roehana Koeddoes通过她在自己拥有的报纸上的文章和她作为一名教育家和记者的行动主义表达勇气和观点的智识能力所表明的那样,包括荷兰妇女。混杂形式的阻力通过空间规划产生,这表现在采用欧式窗户的房屋和结合东西方文化的客厅角落的布置上。最后,矛盾心理形式的反抗表现在角色Roehana Koeddoes的态度上,她同时展示了自己的东西方。
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Roehana Koeddoes’s Resistance to Dutch Colonialism in Belenggu Emas By Iksana Banu
Despite being positioned as inferior by the colonial and patriarchal systems of the time, Indonesian women were involved in the resistance against Dutch colonization. Now recognized as national heroes, these women took part in the struggle by directly participating in fighting, or indirectly through social initiatives. Among them was Roehana Koeddoes, whose resistance is depicted in the short story, “Belenggu Emas”, by Iksaka Banu, wherein an indigenous woman from West Sumatra establishes a school dedicated to teaching women and a newspaper, Soenting Melajoe , published by and for women. This study aimed to represent Roehana Koeddoes’s resistance to Dutch colonialism in Banu’s story, using a qualitative method with a post-colonial theory approach. The results showed that Roehana Koeddoes’s resistance to Dutch colonialism was in the form of mimicry, hybridity, and ambivalence. The mimicry shown is the imitation of the colonial discourse regarding superiority of knowledge, education, ethics, and habits, as demonstrated by Roehana Koeddoes’ intellectual abilities in expressing her courage and opinion, through both her writings in the newspapers she owned and her activism as an educationalist and journalist, which inspired women across the Dutch East Indies, including Dutch women. Resistance in the form of hybridity occurs through spatial planning, which is indicated by the adoption of houses with Europeanstyle windows and the arrangement of living room corners that combine Eastern and Western cultures. Lastly, resistance in the form of ambivalence is shown by the attitude of the character, Roehana Koeddoes, who at equal times shows her eastern and western sides.
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