{"title":"“我们与旧声音DNA交叉检查”:King Britt和Tara Rodgers在Blacktronika，音乐技术和教学法的对话","authors":"King Britt, Tara S Rodgers","doi":"10.1017/s1355771822000231","DOIUrl":null,"url":null,"abstract":"Composers, producers and educators King Britt and Tara Rodgers discuss music technology history and pedagogy in the context of King Britt’s Blacktronika course at the University of California San Diego, which researches and celebrates Black artists and other artists of colour who are pioneers of electronic music genres. Conducted over email in June 2021, this interview also touches on King Britt’s studio practice and evolution as an artist and educator, as well as on the social and political roots of contemporary electronic music genres.","PeriodicalId":45145,"journal":{"name":"Organised Sound","volume":"27 1","pages":"55 - 58"},"PeriodicalIF":0.2000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy\",\"authors\":\"King Britt, Tara S Rodgers\",\"doi\":\"10.1017/s1355771822000231\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Composers, producers and educators King Britt and Tara Rodgers discuss music technology history and pedagogy in the context of King Britt’s Blacktronika course at the University of California San Diego, which researches and celebrates Black artists and other artists of colour who are pioneers of electronic music genres. Conducted over email in June 2021, this interview also touches on King Britt’s studio practice and evolution as an artist and educator, as well as on the social and political roots of contemporary electronic music genres.\",\"PeriodicalId\":45145,\"journal\":{\"name\":\"Organised Sound\",\"volume\":\"27 1\",\"pages\":\"55 - 58\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Organised Sound\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1355771822000231\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Organised Sound","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1355771822000231","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
‘We Cross Examine with Old Sonic DNA’: King Britt and Tara Rodgers in conversation on Blacktronika, music technology and pedagogy
Composers, producers and educators King Britt and Tara Rodgers discuss music technology history and pedagogy in the context of King Britt’s Blacktronika course at the University of California San Diego, which researches and celebrates Black artists and other artists of colour who are pioneers of electronic music genres. Conducted over email in June 2021, this interview also touches on King Britt’s studio practice and evolution as an artist and educator, as well as on the social and political roots of contemporary electronic music genres.
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